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Shoulders of Giants
Acrylic ink, acrylic paint and oil paint
Shoulders of Giants continues the themes explored in my previous series, "Something is Always Faraway", where I reflected on how distance and longing can hold their own kind of beauty and wonder. In that series, I explored the idea that the filters through which we perceive the world are deeply personal and subjective. Yet, despite these individual perspectives, we are all connected by the profound way we build on each other's ideas and discoveries. is connection — our collective memory — is one of the defining aspects of what makes us human, setting us apart from other species we share this planet with. It's both a privilege and a responsibility, one that carries immense weight.
The title, Shoulders of Giants, is a direct reference to Isaac Newton’s famous words:
“If I have seen further than others, it is because I was standing on the shoulders of giants.” Newton’s quote is a reflection of how human progress is not made in isolation but is instead the result of an ongoing dialogue between generations. Every discovery, every idea, builds upon what has come before it. We don’t achieve alone; we stand on the foundation laid by those who came before us. is interconnectedness is the essence of our shared intellectual legacy, and it speaks to the power of collaboration and memory — of seeing further because we remember and learn from the past.
In revisiting the works of the Norwegian landscape painter Peder Balke, whose paintings I spent so much time with during my years in art school, I was reminded of the ways in which ideas and practices are handed down, reinterpreted, and expanded upon. Balke, through his unique approach to the Romantic movement, bridged the spiritual and the expressive in ways that set him apart from his contemporaries. His ability to merge nature’s grandeur with an emotional resonance echoes the way our collective memory merges past knowledge with present innovation.
In the end, this piece is a tribute to our ability to remember, to share, and to build on each other's dreams and visions. It acknowledges that our achievements — as individuals, as cultures, as a species — are a collective efort, shaped by the insights and contributions of those who came before us. e title also speaks to the essential idea that distance and closeness are intertwined. Just as light needs darkness, we need both the space to imagine and the connection to create together. Human progress and understanding thrive on collaboration, and it is only by standing on the shoulders of those who have come before us that we can truly see further.
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Shoulders of Giants continues the themes explored in my previous series, "Something is Always Faraway", where I reflected on how distance and longing can hold their own kind of beauty and wonder. In that series, I explored the idea that the filters through which we perceive the world are deeply personal and subjective. Yet, despite these individual perspectives, we are all connected by the profound way we build on each other's ideas and discoveries. is connection — our collective memory — is one of the defining aspects of what makes us human, setting us apart from other species we share this planet with. It's both a privilege and a responsibility, one that carries immense weight.
The title, Shoulders of Giants, is a direct reference to Isaac Newton’s famous words:
“If I have seen further than others, it is because I was standing on the shoulders of giants.” Newton’s quote is a reflection of how human progress is not made in isolation but is instead the result of an ongoing dialogue between generations. Every discovery, every idea, builds upon what has come before it. We don’t achieve alone; we stand on the foundation laid by those who came before us. is interconnectedness is the essence of our shared intellectual legacy, and it speaks to the power of collaboration and memory — of seeing further because we remember and learn from the past.
In revisiting the works of the Norwegian landscape painter Peder Balke, whose paintings I spent so much time with during my years in art school, I was reminded of the ways in which ideas and practices are handed down, reinterpreted, and expanded upon. Balke, through his unique approach to the Romantic movement, bridged the spiritual and the expressive in ways that set him apart from his contemporaries. His ability to merge nature’s grandeur with an emotional resonance echoes the way our collective memory merges past knowledge with present innovation.
In the end, this piece is a tribute to our ability to remember, to share, and to build on each other's dreams and visions. It acknowledges that our achievements — as individuals, as cultures, as a species — are a collective efort, shaped by the insights and contributions of those who came before us. e title also speaks to the essential idea that distance and closeness are intertwined. Just as light needs darkness, we need both the space to imagine and the connection to create together. Human progress and understanding thrive on collaboration, and it is only by standing on the shoulders of those who have come before us that we can truly see further.
Artwork Information
Year
2024
Materials
Acrylic ink, acrylic paint and oil paint
Authentication
Signed by Artist
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Dimensions
114 1/2 x 79 inches
FRAMED DIMENSIONS
114 1/2 x 79 inches
Floated: 119 1/2 x 84 x 2 inches
Unframed: 114 1/2 x 79 inches
This artwork is custom-framed in hand-built solid wood framing with archival materials. Custom framed artworks will ship in 1 - 3 weeks.
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“My subject matter is nature influenced by subjective memories. I love thinking about how humans make deep, personal relations with nature - places, mountains, lakes, on earth and in space.”
About the Artist
Astri Styrkestad Haukaas
Abstract painter and founder of Danish artspace KVIT, Astri Styrkestad Haukaas's expressive paintings draw their colors and tones from nature. For each series, Haukaas paints her subjective experience of the natural world -- often painting the same space multiple times as she remembers it through different, changing moments. Haukaas' work has been featured in Artforum.
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This service is currently unavailable,
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Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
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Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
Shoulders of Giants continues the themes explored in my previous series, "Something is Always Faraway", where I reflected on how distance and longing can hold their own kind of beauty and wonder. In that series, I explored the idea that the filters through which we perceive the world are deeply personal and subjective. Yet, despite these individual perspectives, we are all connected by the profound way we build on each other's ideas and discoveries. is connection — our collective memory — is one of the defining aspects of what makes us human, setting us apart from other species we share this planet with. It's both a privilege and a responsibility, one that carries immense weight.
The title, Shoulders of Giants, is a direct reference to Isaac Newton’s famous words:
“If I have seen further than others, it is because I was standing on the shoulders of giants.” Newton’s quote is a reflection of how human progress is not made in isolation but is instead the result of an ongoing dialogue between generations. Every discovery, every idea, builds upon what has come before it. We don’t achieve alone; we stand on the foundation laid by those who came before us. is interconnectedness is the essence of our shared intellectual legacy, and it speaks to the power of collaboration and memory — of seeing further because we remember and learn from the past.
In revisiting the works of the Norwegian landscape painter Peder Balke, whose paintings I spent so much time with during my years in art school, I was reminded of the ways in which ideas and practices are handed down, reinterpreted, and expanded upon. Balke, through his unique approach to the Romantic movement, bridged the spiritual and the expressive in ways that set him apart from his contemporaries. His ability to merge nature’s grandeur with an emotional resonance echoes the way our collective memory merges past knowledge with present innovation.
In the end, this piece is a tribute to our ability to remember, to share, and to build on each other's dreams and visions. It acknowledges that our achievements — as individuals, as cultures, as a species — are a collective efort, shaped by the insights and contributions of those who came before us. e title also speaks to the essential idea that distance and closeness are intertwined. Just as light needs darkness, we need both the space to imagine and the connection to create together. Human progress and understanding thrive on collaboration, and it is only by standing on the shoulders of those who have come before us that we can truly see further.