Good Times Roll

About the Artist

Ali Beletic

Ali Beletic’s multidisciplinary practice spans large-scale painting, experiential sculpture, and immersive installation. In both formal experimentation and elemental ritual, her work invites viewers into an expansive dialogue between the modern self and a more primal, ancestral sense of being. Through a pluralistic lens, Beletic weaves together materials like clay, spray paint, soapstone, and fire, creating spaces where ancient traditions, contemporary art histories, and cultural movements coexist. From post-minimalist rain catchments in the desert to ceremonial parties scored by hidden drummers, her projects activate the natural world as both collaborator and stage. Beletic's practice has garnered recognition from Vogue, Ignant, NPR, VICE, The Cut, and Architectural Digest and can be found in the collections of Eva Chen, Robia Rashid and Michael Oppenhuizen.

At the heart of Beletic’s work is a desire to reconcile dualities: the ancient and the futuristic, intellect and intuition, stillness and celebration. Her light-based installations offer contemplative spaces for reflection, expanding awareness and evoking the vastness of the cosmos. Influenced by ideas like those in The Lexus and the Olive Tree, Beletic’s work champions a worldview that honors both the archaic and the advanced, using art as a medium to hold complexity, embrace multiplicity, and create moments of both presence and transcendence.