




We are Devoured
European Hemp, Ink, Paste. Framed in Poplar.
Chanee Vijay’s new 10-piece series, Light That Does Not Promise, captures the spectral beauty of Sonoma County’s coastal fog, distilling its shifting light and fleeting moments into a precise yet organic textile collage. Observing how the mist dissolves distant landscapes into softened abstractions while sharpening the richness of foreground hues, the artist translates these fleeting moments into a meticulous process of dying and layering European hemp. “For me, the summer fog is a reminder that beauty resides in transience and imperfection, and that sometimes the light that does not promise clarity can provoke an emotional response.”
Vijay’s work reflects on the dual nature of light and the balance between what is seen and what is felt. What emerges echoes the process of her collages, where every element contributes to a tapestry of tone, texture, and time. Through intentional cutting and trimming, raised edges create ridges with distinct shadows. An effect that mirrors the interplay between fog’s ephemeral veils and the heightened contrasts of the coastal terrain. The seams, trimmed until they coalesce, become a study in transition and imperfection, inviting contemplation of depth, movement, and the quiet revelations of light. This series invites viewers into an experience where precision meets impermanence, offering a meditation on how subtle material gestures can evoke the complexity of nature’s most elusive atmospheres.
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Chanee Vijay’s new 10-piece series, Light That Does Not Promise, captures the spectral beauty of Sonoma County’s coastal fog, distilling its shifting light and fleeting moments into a precise yet organic textile collage. Observing how the mist dissolves distant landscapes into softened abstractions while sharpening the richness of foreground hues, the artist translates these fleeting moments into a meticulous process of dying and layering European hemp. “For me, the summer fog is a reminder that beauty resides in transience and imperfection, and that sometimes the light that does not promise clarity can provoke an emotional response.”
Vijay’s work reflects on the dual nature of light and the balance between what is seen and what is felt. What emerges echoes the process of her collages, where every element contributes to a tapestry of tone, texture, and time. Through intentional cutting and trimming, raised edges create ridges with distinct shadows. An effect that mirrors the interplay between fog’s ephemeral veils and the heightened contrasts of the coastal terrain. The seams, trimmed until they coalesce, become a study in transition and imperfection, inviting contemplation of depth, movement, and the quiet revelations of light. This series invites viewers into an experience where precision meets impermanence, offering a meditation on how subtle material gestures can evoke the complexity of nature’s most elusive atmospheres.
Artwork Information
Year
2025
Materials
European Hemp, Ink, Paste. Framed in Poplar.
Authentication
Signed by Artist
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan.
Dimensions
ARTWORK DIMENSIONS
21 1/2 x 17 1/2 x 2 1/2 inches
FRAMED DIMENSIONS
21 1/2 x 17 1/2 x 2 1/2 inches
Unframed: 21 1/2 x 17 1/2 x 2 1/2 inches
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email: [email protected]
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About the Artist
Chanee Vijay
Chanee Vijay's abstract textile collages draw on her regard for local landforms, faults, cycles of growth and decay with materials, and techniques she gleaned across a decade of textile surface design and pillow production. Starting with her European hemp offcuts, Chanee plays with tonality, often over-dyeing and painting each piece to bring mood and enhanced character to the fabric. Her attentiveness to the interactions among forms reinforces the arrangement’s imperfect lines. The final composition is realized by pasting, then sculpting the hemp together to create movement and texture with raw exposed seams.

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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?

Chanee Vijay’s new 10-piece series, Light That Does Not Promise, captures the spectral beauty of Sonoma County’s coastal fog, distilling its shifting light and fleeting moments into a precise yet organic textile collage. Observing how the mist dissolves distant landscapes into softened abstractions while sharpening the richness of foreground hues, the artist translates these fleeting moments into a meticulous process of dying and layering European hemp. “For me, the summer fog is a reminder that beauty resides in transience and imperfection, and that sometimes the light that does not promise clarity can provoke an emotional response.”
Vijay’s work reflects on the dual nature of light and the balance between what is seen and what is felt. What emerges echoes the process of her collages, where every element contributes to a tapestry of tone, texture, and time. Through intentional cutting and trimming, raised edges create ridges with distinct shadows. An effect that mirrors the interplay between fog’s ephemeral veils and the heightened contrasts of the coastal terrain. The seams, trimmed until they coalesce, become a study in transition and imperfection, inviting contemplation of depth, movement, and the quiet revelations of light. This series invites viewers into an experience where precision meets impermanence, offering a meditation on how subtle material gestures can evoke the complexity of nature’s most elusive atmospheres.