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Topographies of Loss and Renewal 1
Oil and acrylic on linen canvas
In this series, Astri Styrkestad Haukaas explores landscapes as both external terrains and inner geographies—geological and bodily, layered with memory, scars, and renewal. Her paintings unfold as slow maps where rivers, folds, and sediments become metaphors for veins, breath, and lived experience. Creation and erosion are inseparable here, echoing the cycles of dormancy, death, and regrowth that shape both land and self. Influenced by Rebecca Solnit’s reflections on geographies of story and Arne Næss’s deep ecology, Haukaas approaches painting as a practice of attentiveness, a way of befriending the nonhuman and acknowledging our embeddedness within nature’s rhythms.
Circling questions of belonging and loss, the works bear witness to the traces of time and connection—how landscapes leave marks on us, and how we in turn leave marks on them. What begins as an exploration of ecological processes becomes an intimate meditation on presence and impermanence, inviting a quiet empathy for both the human and more-than-human worlds.
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In this series, Astri Styrkestad Haukaas explores landscapes as both external terrains and inner geographies—geological and bodily, layered with memory, scars, and renewal. Her paintings unfold as slow maps where rivers, folds, and sediments become metaphors for veins, breath, and lived experience. Creation and erosion are inseparable here, echoing the cycles of dormancy, death, and regrowth that shape both land and self. Influenced by Rebecca Solnit’s reflections on geographies of story and Arne Næss’s deep ecology, Haukaas approaches painting as a practice of attentiveness, a way of befriending the nonhuman and acknowledging our embeddedness within nature’s rhythms.
Circling questions of belonging and loss, the works bear witness to the traces of time and connection—how landscapes leave marks on us, and how we in turn leave marks on them. What begins as an exploration of ecological processes becomes an intimate meditation on presence and impermanence, inviting a quiet empathy for both the human and more-than-human worlds.
Artwork Information
Year
2025
Materials
Oil and acrylic on linen canvas
Authentication
Signed by Artist
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan.
Dimensions
ARTWORK DIMENSIONS
51 x 78 1/4 inches
FRAMED DIMENSIONS
51 x 78 1/4 inches
Reveal: 52.75 x 80.0 x 2 inches
Unframed: 51 x 78 1/4 inches
This artwork is custom-framed in hand-built solid wood framing with archival materials. Custom framed artworks will ship in 1 - 3 weeks.
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“My subject matter is nature influenced by subjective memories. I love thinking about how humans make deep, personal relations with nature - places, mountains, lakes, on earth and in space.”

About the Artist
Astri Styrkestad Haukaas
Abstract painter and founder of Danish artspace KVIT, Astri Styrkestad Haukaas's expressive paintings draw their colors and tones from nature. For each series, Haukaas paints her subjective experience of the natural world -- often painting the same space multiple times as she remembers it through different, changing moments. Haukaas' work has been featured in Artforum.

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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?

In this series, Astri Styrkestad Haukaas explores landscapes as both external terrains and inner geographies—geological and bodily, layered with memory, scars, and renewal. Her paintings unfold as slow maps where rivers, folds, and sediments become metaphors for veins, breath, and lived experience. Creation and erosion are inseparable here, echoing the cycles of dormancy, death, and regrowth that shape both land and self. Influenced by Rebecca Solnit’s reflections on geographies of story and Arne Næss’s deep ecology, Haukaas approaches painting as a practice of attentiveness, a way of befriending the nonhuman and acknowledging our embeddedness within nature’s rhythms.
Circling questions of belonging and loss, the works bear witness to the traces of time and connection—how landscapes leave marks on us, and how we in turn leave marks on them. What begins as an exploration of ecological processes becomes an intimate meditation on presence and impermanence, inviting a quiet empathy for both the human and more-than-human worlds.