





Time Softens – On Slipping and Holding 1
Oil and acrylic on cotton canvas
In her latest body of work, Astri Styrkestad Haukaas considers landscape as a site of gentle shift—where time loosens, form softens, and the ground offers quiet permission to pause. Rather than depicting literal places, her paintings draw from rivers, slopes, folds of earth, and drifting light as ways of thinking and feeling. These terrains mirror internal movements of memory, instinct, and emotion, offering steadiness without insisting on meaning. The works remain open-ended, attentive to moments of belonging that surface without explanation.
Haukaas’ process moves between intention and surrender. Ink slips and finds its own paths, while oil slows and anchors the surface, creating a rhythm between holding and release. Time feels layered within these paintings—personal, collective, and geological—pressing upward through form and color. Some works expand with light, while others fold inward with density and vibration, reflecting the nonlinear movement of thought. Together, the series invites viewers into a space between form and dissolution, where memory, perception, and presence unfold at their own pace.
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In her latest body of work, Astri Styrkestad Haukaas considers landscape as a site of gentle shift—where time loosens, form softens, and the ground offers quiet permission to pause. Rather than depicting literal places, her paintings draw from rivers, slopes, folds of earth, and drifting light as ways of thinking and feeling. These terrains mirror internal movements of memory, instinct, and emotion, offering steadiness without insisting on meaning. The works remain open-ended, attentive to moments of belonging that surface without explanation.
Haukaas’ process moves between intention and surrender. Ink slips and finds its own paths, while oil slows and anchors the surface, creating a rhythm between holding and release. Time feels layered within these paintings—personal, collective, and geological—pressing upward through form and color. Some works expand with light, while others fold inward with density and vibration, reflecting the nonlinear movement of thought. Together, the series invites viewers into a space between form and dissolution, where memory, perception, and presence unfold at their own pace.
Artwork Information
Year
2025
Materials
Oil and acrylic on cotton canvas
Authentication
Signed by Artist
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan.
Dimensions
ARTWORK DIMENSIONS
43 1/4 x 39 inches
FRAMED DIMENSIONS
43 1/4 x 39 inches
Reveal: 45.0 x 40.75 x 2 inches
Unframed: 43 1/4 x 39 inches
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“My subject matter is nature influenced by subjective memories. I love thinking about how humans make deep, personal relations with nature - places, mountains, lakes, on earth and in space.”
About the Artist
Astri Styrkestad Haukaas
Abstract painter and founder of Danish artspace KVIT, Astri Styrkestad Haukaas's expressive paintings draw their colors and tones from nature. For each series, Haukaas paints her subjective experience of the natural world -- often painting the same space multiple times as she remembers it through different, changing moments. Haukaas' work has been featured in Artforum.

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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?

In her latest body of work, Astri Styrkestad Haukaas considers landscape as a site of gentle shift—where time loosens, form softens, and the ground offers quiet permission to pause. Rather than depicting literal places, her paintings draw from rivers, slopes, folds of earth, and drifting light as ways of thinking and feeling. These terrains mirror internal movements of memory, instinct, and emotion, offering steadiness without insisting on meaning. The works remain open-ended, attentive to moments of belonging that surface without explanation.
Haukaas’ process moves between intention and surrender. Ink slips and finds its own paths, while oil slows and anchors the surface, creating a rhythm between holding and release. Time feels layered within these paintings—personal, collective, and geological—pressing upward through form and color. Some works expand with light, while others fold inward with density and vibration, reflecting the nonlinear movement of thought. Together, the series invites viewers into a space between form and dissolution, where memory, perception, and presence unfold at their own pace.


















