






Of water and stone, garden and sea, no. 6
Collage of prints and drawings on artist-made paper fragments with watercolor on artist-made paper (sun, air, water, abaca fiber)
In Water Meets Stone, Catherine Lucky Chang draws from her time living on Vashon Island and from Taoist principles of alignment, flow, and harmony. Created during a three-week residency at Vashon Artist Residency, the series is shaped by daily rhythms of studio work overlooking garden and sea, yoga practice, and walks along the shoreline where she collected stones. The surrounding landscape—rain-soaked spring days, coastal light, and cycles of growth and renewal—infuses the work with a sense of quiet attentiveness to place and presence.
Working on her own handmade abaca paper, Chang layers watercolor, colored pencil, and collage to explore the Taoist relationship between water and stone: softness and persistence meeting solidity and permanence. Using watercolor to trace the stones gathered on her walks, she allows fluid marks to echo the slow, transformative action of water shaping stone over time. Variations in the translucency and texture of the handmade paper create subtle shifts in light and color, reinforcing a meditation on material, time, and gentle change. Rooted in the principle of wu wei, Water Meets Stone reflects how yielding, patience, and attention can quietly shape both form and experience.
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In Water Meets Stone, Catherine Lucky Chang draws from her time living on Vashon Island and from Taoist principles of alignment, flow, and harmony. Created during a three-week residency at Vashon Artist Residency, the series is shaped by daily rhythms of studio work overlooking garden and sea, yoga practice, and walks along the shoreline where she collected stones. The surrounding landscape—rain-soaked spring days, coastal light, and cycles of growth and renewal—infuses the work with a sense of quiet attentiveness to place and presence.
Working on her own handmade abaca paper, Chang layers watercolor, colored pencil, and collage to explore the Taoist relationship between water and stone: softness and persistence meeting solidity and permanence. Using watercolor to trace the stones gathered on her walks, she allows fluid marks to echo the slow, transformative action of water shaping stone over time. Variations in the translucency and texture of the handmade paper create subtle shifts in light and color, reinforcing a meditation on material, time, and gentle change. Rooted in the principle of wu wei, Water Meets Stone reflects how yielding, patience, and attention can quietly shape both form and experience.
Artwork Information
Year
2022
Materials
Collage of prints and drawings on artist-made paper fragments with watercolor on artist-made paper (sun, air, water, abaca fiber)
Authentication
Signed by Artist
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan.
Dimensions
ARTWORK DIMENSIONS
20 1/2 x 16 1/2 inches
FRAMED DIMENSIONS
20 1/2 x 16 1/2 inches
Floated: 25.0 x 21.0 x 2 inches
Unframed: 20 1/2 x 16 1/2 inches
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text: 310-388-3425
email: info@thetappancollective.com
Art Advising Services
Complimentary art advising services available on request. More info here
“The simplicity of making paper brings me into the present moment. I get to play with water, breathe fresh air, and tune into the elements of nature and changing seasons on a daily basis.”
About the Artist
Catherine Lucky Chang
Catherine Lucky Chang combines techniques of printmaking, drawing, painting, and collage to meld marks and shapes on translucent, handmade abaca paper. Her work has been exhibited at the Georgia Museum of Art, Whitespace Gallery, Rainforest Art Foundation, Madison Museum of Fine Art, and Hathaway Gallery.

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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?

In Water Meets Stone, Catherine Lucky Chang draws from her time living on Vashon Island and from Taoist principles of alignment, flow, and harmony. Created during a three-week residency at Vashon Artist Residency, the series is shaped by daily rhythms of studio work overlooking garden and sea, yoga practice, and walks along the shoreline where she collected stones. The surrounding landscape—rain-soaked spring days, coastal light, and cycles of growth and renewal—infuses the work with a sense of quiet attentiveness to place and presence.
Working on her own handmade abaca paper, Chang layers watercolor, colored pencil, and collage to explore the Taoist relationship between water and stone: softness and persistence meeting solidity and permanence. Using watercolor to trace the stones gathered on her walks, she allows fluid marks to echo the slow, transformative action of water shaping stone over time. Variations in the translucency and texture of the handmade paper create subtle shifts in light and color, reinforcing a meditation on material, time, and gentle change. Rooted in the principle of wu wei, Water Meets Stone reflects how yielding, patience, and attention can quietly shape both form and experience.


















