



Chasm of Understanding
Ink & Paintstik Monoprint
In his most recent series, Transits, McMullen explores the transformation of drawing through movement, fragmentation, and reassembly. Beginning with gestural marks made in Paintstik on newsprint, each drawing is torn apart and reconfigured as part of a layered monoprint. The original image is not replicated, but instead shifted and transferred through a process that both obscures and preserves its essence.
Breaking free from the traditional confines of the plate, McMullen expands his field of mark-making, embracing a larger and more intuitive space. This freedom to draw beyond the edge, to tear without hesitation, mirrors the emotional liberation found in letting go of control. The process becomes not just a method, but a metaphor: a way of understanding transition, change, and even relocation.
Printmaking here acts as a vehicle, carrying a drawing across surfaces, between states, through transformation. Using a material not typically associated with printmaking, McMullen introduces unpredictability and imperfection, honoring the raw beauty of what’s left behind. Each work stands as a record of movement, from destruction to image, from drawing to print, from origin to arrival.
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In his most recent series, Transits, McMullen explores the transformation of drawing through movement, fragmentation, and reassembly. Beginning with gestural marks made in Paintstik on newsprint, each drawing is torn apart and reconfigured as part of a layered monoprint. The original image is not replicated, but instead shifted and transferred through a process that both obscures and preserves its essence.
Breaking free from the traditional confines of the plate, McMullen expands his field of mark-making, embracing a larger and more intuitive space. This freedom to draw beyond the edge, to tear without hesitation, mirrors the emotional liberation found in letting go of control. The process becomes not just a method, but a metaphor: a way of understanding transition, change, and even relocation.
Printmaking here acts as a vehicle, carrying a drawing across surfaces, between states, through transformation. Using a material not typically associated with printmaking, McMullen introduces unpredictability and imperfection, honoring the raw beauty of what’s left behind. Each work stands as a record of movement, from destruction to image, from drawing to print, from origin to arrival.
Artwork Information
Year
2025
Materials
Ink & Paintstik Monoprint
Authentication
Signed by Artist
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan.
Dimensions
ARTWORK DIMENSIONS
42 x 50 inches
FRAMED DIMENSIONS
42 x 50 inches
Limited Edition Prints and Photography are custom trimmed with border for framing 2" for all larger sizes.
All sizes listed are overall paper dimensions including the white border.
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We offer a wide variety of custom framing options, please reach out for more information.
Shipping times vary per artwork, text, email, or chat with us to expedite shipping.
text: 310-388-3425
email: [email protected]
Art Advising Services
Complimentary art advising services available on request. More info here
“My practice is more akin to automatic writing or gestural drawing than it is a planned production, less concerned with outcomes than honesty.”

About the Artist
Mike McMullen
Mike McMullen creates work as an Artist, Art Director and Designer in Los Angeles, where he lives with his wife and partner Cheryl Humphreys and their son Cyan. Experienced in printmaking, McMullen also elevates the role of play in his work, encouraging him to expand his practice into other mediums.

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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?

In his most recent series, Transits, McMullen explores the transformation of drawing through movement, fragmentation, and reassembly. Beginning with gestural marks made in Paintstik on newsprint, each drawing is torn apart and reconfigured as part of a layered monoprint. The original image is not replicated, but instead shifted and transferred through a process that both obscures and preserves its essence.
Breaking free from the traditional confines of the plate, McMullen expands his field of mark-making, embracing a larger and more intuitive space. This freedom to draw beyond the edge, to tear without hesitation, mirrors the emotional liberation found in letting go of control. The process becomes not just a method, but a metaphor: a way of understanding transition, change, and even relocation.
Printmaking here acts as a vehicle, carrying a drawing across surfaces, between states, through transformation. Using a material not typically associated with printmaking, McMullen introduces unpredictability and imperfection, honoring the raw beauty of what’s left behind. Each work stands as a record of movement, from destruction to image, from drawing to print, from origin to arrival.


BOBBY BERK ON MIKE MCMULLEN
“This print has a real simplicity and quietness to it, and that's what I love about it. It doesn't shout, it whispers. And sometimes, you want your art to have a really subtle and understated feel.”
Artwork: Snare