Untitled (MacArthur) 11
Archival ink on museum-quality cotton rag paper | 2021
During his residency at MacArthur Place, Brian Merriam sought inspiration in the surrounding landscapes of Sonoma and Marin County. Taking interest in nature’s cycles of growth and dissolution, Merriam created a series of photographs that symbolize the building up and tearing down of the natural world. Using wildflowers as a lens filter, he captured the coastal landscape. New, young, fleeting growth is layered onto old, slowly dissolving, and weathered terrain
16 x 24 inches
24 x 36 inches
30 x 45 inches
40 x 60 inches
16 x 24 inches:
Matted: 23.5 x 31.5 x 1.25 inches
Full Bleed: 17.5 x 25.5 x 1.25 inches
24 x 36 inches:
Matted: 32 x 44 x 2 inches
Full Bleed: 25.5 x 37.5 x 2 inches inches
30 x 45 inches:
Matted: 38 x 53 x 2 inches
Full Bleed: 32 x 47 x 2 inches
40 x 60 inches:
Full Bleed: 42 x 62 x 2 inches
The work comes with a Certification of Authenticity signed and numbered by the Co-Founder of Tappan
Framing & Mounting
Our frames are produced from the best quality wood, primarily from Italy. Each is custom cut and assembled by hand to fit your art. Hanging hardware included!
THIN GALLERY FRAME
This modern profile was designed for artists and photographers. Narrow on the front and deep on the sides, our slim mouldings provide a clean, sharp frame for your art, and allows all focus to be on your gorgeous work.
3/4" wide; 1 1/8" deep
UV - PROTECTIVE ACRYLIC
Our acrylic is more expensive than glass, but we use it because it’s clearer, far more impact resistant, and protects your art against UV rays. Framing-grade acrylic has become a new standard in framing because of its “clear” benefits.
THE FULL BLEED
Works are framed flush with the edge of your print without a mat. Request border modifications and spacers, which keep the work from touching the glass.
Adds a white core mat with a bevel cut opening to the edge of your print. If your work has a signature or edition numbering, we will automatically mat around it unless otherwise specified.
We use 4-ply, conservation-grade, acid-free mat board. We match whites and off-whites to your exact piece. Acid-free materials protect your art from yellowing or becoming brittle.
Floating a piece allows for a full view of the face and sides of the artwork. Floating is recommended for original drawings and paintings or any piece produced on specially trimmed paper.
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Featured in Vogue, Dwell, Juxtapoz, Domino and The New Yorker, photographer Brian Merriam travels to the most remote parts of the world to capture rarely seen landscapes and celestial phenomena, including the Himalayas, the Aurora Borealis, lush Hawaiian jungles and total solar eclipses.
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