






Reminder
Oil on linen
Marina Ross’s paintings are richly layered reinterpretations of iconic imagery from The Wizard of Oz, recast through the lens of cultural memory, personal grief, and the performance of femininity. Drawing on her experience of immigration from the former Soviet Union to the American Midwest, Ross explores the mythology of the American Dream through an emotionally charged visual language—one that blurs nostalgia with loss, illusion with vulnerability.
This ongoing body of work was shaped in the aftermath of a deep personal tragedy, becoming a framework through which Ross processes emotional upheaval. Working in serial repetition, she revisits the figure of Dorothy Gale with subtle shifts in tone and form. In one canvas, Dorothy is luminous and hopeful; in another, she fades into spectral abstraction. These variations operate like rehearsals or rituals, allowing Ross to recite visual lines with different emotional inflections. The act of painting becomes both a performance and a reckoning.
Ross’s palette—dominated by oxidized teals, seafoam greens, and iridescent washes—echoes the patina of aged film and weathered architecture, underscoring the tension between time’s erosion and cinema’s illusion of permanence. Starting from film stills projected onto canvas, she layers, blurs, and reconfigures her surfaces to push background into distance while pulling painterly gestures forward. The resulting images maintain a ghostly echo of their cinematic origins, yet are destabilized—figures blur, dissolve, or vanish, reflecting the fragility of memory and the instability of form.
Haunting, intimate, and imbued with a dreamlike sensibility, Ross’s paintings invite viewers into a shifting space where past and present, grief and myth, vulnerability and beauty coexist.
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Marina Ross’s paintings are richly layered reinterpretations of iconic imagery from The Wizard of Oz, recast through the lens of cultural memory, personal grief, and the performance of femininity. Drawing on her experience of immigration from the former Soviet Union to the American Midwest, Ross explores the mythology of the American Dream through an emotionally charged visual language—one that blurs nostalgia with loss, illusion with vulnerability.
This ongoing body of work was shaped in the aftermath of a deep personal tragedy, becoming a framework through which Ross processes emotional upheaval. Working in serial repetition, she revisits the figure of Dorothy Gale with subtle shifts in tone and form. In one canvas, Dorothy is luminous and hopeful; in another, she fades into spectral abstraction. These variations operate like rehearsals or rituals, allowing Ross to recite visual lines with different emotional inflections. The act of painting becomes both a performance and a reckoning.
Ross’s palette—dominated by oxidized teals, seafoam greens, and iridescent washes—echoes the patina of aged film and weathered architecture, underscoring the tension between time’s erosion and cinema’s illusion of permanence. Starting from film stills projected onto canvas, she layers, blurs, and reconfigures her surfaces to push background into distance while pulling painterly gestures forward. The resulting images maintain a ghostly echo of their cinematic origins, yet are destabilized—figures blur, dissolve, or vanish, reflecting the fragility of memory and the instability of form.
Haunting, intimate, and imbued with a dreamlike sensibility, Ross’s paintings invite viewers into a shifting space where past and present, grief and myth, vulnerability and beauty coexist.
Artwork Information
Year
2024
Materials
Oil on linen
Authentication
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Dimensions
12 x 9 inches
FRAMED DIMENSIONS
12 x 9 inches
Floated: 16 1/2 x 13 1/2 x 1 1/2 inches
Unframed: 12 x 9 inches
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About the Artist
Marina Ross
Marina Ross is a Chicago-based painter whose emotionally resonant work explores themes of memory, myth, and identity through layered reinterpretations of iconic imagery. Her paintings have been exhibited in New York at Sugarlift, Friday Studio Gallery, Art Helix, and Highline Stages, as well as throughout Chicago at venues including Goldfinch Gallery, Heaven Gallery, The Franklin, Sulk, ARTRUSS, and Baby Blue Gallery. She has received numerous awards and grants, including support from the Illinois Arts Council, Loyola University, and the Stanley Award for International Graduate Research, which enabled her residency in Saint Petersburg, Russia. Ross’s work has been featured in Newcity and the Chicago Reader, and is held in public and private collections. In addition to her studio practice, she leads a critique group for professional artists and teaches at Loyola University Chicago.
Current Exhibition
FORWARD
Tappan Los Angeles
8200 Melrose Avenue, Los Angeles CA
April 12 - June 14th
Current Exhibition
FORWARD
Tappan Los Angeles
8200 Melrose Avenue, Los Angeles CA
April 12 - June 14th

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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?

Marina Ross’s paintings are richly layered reinterpretations of iconic imagery from The Wizard of Oz, recast through the lens of cultural memory, personal grief, and the performance of femininity. Drawing on her experience of immigration from the former Soviet Union to the American Midwest, Ross explores the mythology of the American Dream through an emotionally charged visual language—one that blurs nostalgia with loss, illusion with vulnerability.
This ongoing body of work was shaped in the aftermath of a deep personal tragedy, becoming a framework through which Ross processes emotional upheaval. Working in serial repetition, she revisits the figure of Dorothy Gale with subtle shifts in tone and form. In one canvas, Dorothy is luminous and hopeful; in another, she fades into spectral abstraction. These variations operate like rehearsals or rituals, allowing Ross to recite visual lines with different emotional inflections. The act of painting becomes both a performance and a reckoning.
Ross’s palette—dominated by oxidized teals, seafoam greens, and iridescent washes—echoes the patina of aged film and weathered architecture, underscoring the tension between time’s erosion and cinema’s illusion of permanence. Starting from film stills projected onto canvas, she layers, blurs, and reconfigures her surfaces to push background into distance while pulling painterly gestures forward. The resulting images maintain a ghostly echo of their cinematic origins, yet are destabilized—figures blur, dissolve, or vanish, reflecting the fragility of memory and the instability of form.
Haunting, intimate, and imbued with a dreamlike sensibility, Ross’s paintings invite viewers into a shifting space where past and present, grief and myth, vulnerability and beauty coexist.