






After the Push
Pigment on raw canvas
The Circle We Make gathers sixteen paintings that hold the thresholds of birth and early motherhood, rendered on both silk and raw canvas. Each material is chosen for its response to pigment — canvas grounding the mark, silk dispersing it with lightness — mirroring the shifting states of the body and mind in transition. Moving between abstraction and figuration, Jade allows forms to surface through repeated washes of color. Curves recall the arch of a back, a dark pool suggests shadowed hands, while soft edges evoke the way memory and sensation blur through exhaustion, closeness, and surrender.
These works trace acts of holding and being held, the quiet intimacies of care, and the unseen threads that bind one life to another. They reflect the presence and absence of a “village,” the circle we inherit or construct in times of need. At once records and offerings, the paintings map the tender terrain of arrival, endurance, and connection, inviting viewers to linger in the spaces where touch, color, and breath converge.
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The Circle We Make gathers sixteen paintings that hold the thresholds of birth and early motherhood, rendered on both silk and raw canvas. Each material is chosen for its response to pigment — canvas grounding the mark, silk dispersing it with lightness — mirroring the shifting states of the body and mind in transition. Moving between abstraction and figuration, Jade allows forms to surface through repeated washes of color. Curves recall the arch of a back, a dark pool suggests shadowed hands, while soft edges evoke the way memory and sensation blur through exhaustion, closeness, and surrender.
These works trace acts of holding and being held, the quiet intimacies of care, and the unseen threads that bind one life to another. They reflect the presence and absence of a “village,” the circle we inherit or construct in times of need. At once records and offerings, the paintings map the tender terrain of arrival, endurance, and connection, inviting viewers to linger in the spaces where touch, color, and breath converge.
Artwork Information
Year
2025
Materials
Pigment on raw canvas
Dimensions
ARTWORK DIMENSIONS
38 1/4 x 32 1/4 inches
FRAMED DIMENSIONS
38 1/4 x 32 1/4 inches
Reveal: 40.0 x 34.0 x 2 inches
Unframed: 38 1/4 x 32 1/4 inches
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About the Artist
Loralee Jade
Loralee Jade draws upon memory and personal experience to explore how painting can be utilized to consider what can be represented beyond language. Through her work, she offers an evocative visual space that is suggestive of figuration while simultaneously dissolving into abstraction. She inspires to create works that are sensuous, luscious, bodily, and emotional to experience.

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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?

The Circle We Make gathers sixteen paintings that hold the thresholds of birth and early motherhood, rendered on both silk and raw canvas. Each material is chosen for its response to pigment — canvas grounding the mark, silk dispersing it with lightness — mirroring the shifting states of the body and mind in transition. Moving between abstraction and figuration, Jade allows forms to surface through repeated washes of color. Curves recall the arch of a back, a dark pool suggests shadowed hands, while soft edges evoke the way memory and sensation blur through exhaustion, closeness, and surrender.
These works trace acts of holding and being held, the quiet intimacies of care, and the unseen threads that bind one life to another. They reflect the presence and absence of a “village,” the circle we inherit or construct in times of need. At once records and offerings, the paintings map the tender terrain of arrival, endurance, and connection, inviting viewers to linger in the spaces where touch, color, and breath converge.