




















Untitled VIII (Joshua Tree)
Archival ink on museum-quality cotton rag paper
"The direction I had been given was to contribute, in any fashion that I’d like, on the idea of what “blind for love” means to me. I sat with it for a while not really sure what to do. I had just watched the Truman Show and was on a Peter Weir kick, my room-mate came home and asked me if I’d ever seen Picnic at Hanging Rock— I hadn’t. When I put it on, I was flabbergasted and totally inspired. It’s a very provocative and sexually charged film but also has so much underlying truth. It felt it related intuitively to all many facets and innuendos of the concept “blind for love”. When I told Alessandro my idea he said “You know it’s one of my favorite movies?” Apparently, in every collection he does a piece that attributes the film. When the clothes came, it was funny karma how well that collection in particular worked towards our narrative."
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"The direction I had been given was to contribute, in any fashion that I’d like, on the idea of what “blind for love” means to me. I sat with it for a while not really sure what to do. I had just watched the Truman Show and was on a Peter Weir kick, my room-mate came home and asked me if I’d ever seen Picnic at Hanging Rock— I hadn’t. When I put it on, I was flabbergasted and totally inspired. It’s a very provocative and sexually charged film but also has so much underlying truth. It felt it related intuitively to all many facets and innuendos of the concept “blind for love”. When I told Alessandro my idea he said “You know it’s one of my favorite movies?” Apparently, in every collection he does a piece that attributes the film. When the clothes came, it was funny karma how well that collection in particular worked towards our narrative."
Artwork Information
Year
2016
Materials
Archival ink on museum-quality cotton rag paper
Authentication
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Dimensions
16 x 24 inches
20 x 30 inches
30 x 45 inches
FRAMED DIMENSIONS
16 x 24 inches:
Matted: 23.25 x 31.25 x 1.25 inches
Full Bleed: 17.25 x 25.25 x 1.25 inches
20 x 30 inches:
Matted: 27.25 x 37.25 x 1.25 inches
Full Bleed: 21.25 x 31.25 x 1.25 inches
30 x 45 inches:
Matted: 38 x 53 x 2 inches
Full Bleed: 32 x 47 x 2 inches
Limited Edition Prints and Photography are custom trimmed with border for framing 2" for all larger sizes.
All sizes listed are overall paper dimensions including the white border.
Custom Orders
We offer a wide variety of custom framing options, please reach out for more information.
Shipping times vary per artwork, text, email, or chat with us to expedite shipping.
text: 310-388-3425
email: [email protected]
Art Advising Services
Complimentary art advising services available on request. More info here

About the Artist
Gia Coppola
Featured at the Venice & Cannes Film Festivals, photographer and film director Gia (Palo Alto, Mainstream), brings her cinematic eye & effortless style to her narrative photographs. Gia’s work has been featured in Architectural Digest, Elle Decor, Juxtapoz, Vogue, Vice, Coveteur, Town and Country, NY Mag, and in Gucci collabs.
Gia Coppola on View in
PROXIMITIES
Tappan New York City
100 Grand Street, New York NY
May 1 - May 22nd
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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
"The direction I had been given was to contribute, in any fashion that I’d like, on the idea of what “blind for love” means to me. I sat with it for a while not really sure what to do. I had just watched the Truman Show and was on a Peter Weir kick, my room-mate came home and asked me if I’d ever seen Picnic at Hanging Rock— I hadn’t. When I put it on, I was flabbergasted and totally inspired. It’s a very provocative and sexually charged film but also has so much underlying truth. It felt it related intuitively to all many facets and innuendos of the concept “blind for love”. When I told Alessandro my idea he said “You know it’s one of my favorite movies?” Apparently, in every collection he does a piece that attributes the film. When the clothes came, it was funny karma how well that collection in particular worked towards our narrative."