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Archival ink on museum-quality cotton rag paper
In her ongoing Visage series, begun in 2015, artist Leigh Wells examines the limits of perception and the elusive nature of interior life. The work stems from a central question: how much of another’s inner world—or even our own—can ever be fully understood? What is revealed, what is withheld, and what remains unknowable despite our attempts to look closely? Through this lens, the series becomes a meditation on consciousness, exploring the impossibility of fully entering another mind and the shifting, partial understanding we hold of ourselves.
Wells constructs her portraits through layered mixed-media collage, combining found materials with fragments drawn from classical sculpture. Isolated eyes, softened profiles, and incomplete features act not as historical citations but as open spaces—sites for projection, interpretation, and emotional resonance. In their intentional incompleteness, the works reflect the inherent limits of seeing and knowing. This new grouping of seven pieces adopts a more restrained and contemplative tone, with a muted palette and rectilinear compositions that heighten a sense of quiet tension. Within these carefully bounded forms, Wells invites viewers into a space of reflection, where the full story remains deliberately just out of reach.
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In her ongoing Visage series, begun in 2015, artist Leigh Wells examines the limits of perception and the elusive nature of interior life. The work stems from a central question: how much of another’s inner world—or even our own—can ever be fully understood? What is revealed, what is withheld, and what remains unknowable despite our attempts to look closely? Through this lens, the series becomes a meditation on consciousness, exploring the impossibility of fully entering another mind and the shifting, partial understanding we hold of ourselves.
Wells constructs her portraits through layered mixed-media collage, combining found materials with fragments drawn from classical sculpture. Isolated eyes, softened profiles, and incomplete features act not as historical citations but as open spaces—sites for projection, interpretation, and emotional resonance. In their intentional incompleteness, the works reflect the inherent limits of seeing and knowing. This new grouping of seven pieces adopts a more restrained and contemplative tone, with a muted palette and rectilinear compositions that heighten a sense of quiet tension. Within these carefully bounded forms, Wells invites viewers into a space of reflection, where the full story remains deliberately just out of reach.
Artwork Information
Year
2025
Materials
Archival ink on museum-quality cotton rag paper
Authentication
COA provided by Tappan
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan.
Dimensions
ARTWORK DIMENSIONS
40 x 32 inches
20 x 16 inches
FRAMED DIMENSIONS
40 x 32 inches
Matted: 48.0 x 40.0 x 2 inches
Full Bleed: 42.0 x 34.0 x 2 inches
Unframed: 40 x 32 inches
20 x 16 inches
Matted: 27.5 x 23.5 x 2 inches
Full Bleed: 21.5 x 17.5 x 1.5 inches
Unframed: 20 x 16 inches
Limited Edition Prints and Photography are custom trimmed with border for framing 2" for all larger sizes.
All sizes listed are overall paper dimensions including the white border.
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“I approach the combination of elements in my work as though I am constructing a feeling, a thought, a relationship—intentionally creating spatial and narrative ambiguity that heightens the work’s expressive tension.”
About the Artist
Leigh Wells
Leigh Wells’ mixed media works comprise collage, drawings, and sculpture of found materials, paper, and fabric as well as paintings on pieced textiles that consist of simple, restrained abstract forms. Her work has been featured in The New York Times, Architectural Digest, Elle Decor, and Harper’s Magazine. Select honors include Pollock Krasner Foundation Grant and SFMOMA SECA Award nomination.

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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
In her ongoing Visage series, begun in 2015, artist Leigh Wells examines the limits of perception and the elusive nature of interior life. The work stems from a central question: how much of another’s inner world—or even our own—can ever be fully understood? What is revealed, what is withheld, and what remains unknowable despite our attempts to look closely? Through this lens, the series becomes a meditation on consciousness, exploring the impossibility of fully entering another mind and the shifting, partial understanding we hold of ourselves.
Wells constructs her portraits through layered mixed-media collage, combining found materials with fragments drawn from classical sculpture. Isolated eyes, softened profiles, and incomplete features act not as historical citations but as open spaces—sites for projection, interpretation, and emotional resonance. In their intentional incompleteness, the works reflect the inherent limits of seeing and knowing. This new grouping of seven pieces adopts a more restrained and contemplative tone, with a muted palette and rectilinear compositions that heighten a sense of quiet tension. Within these carefully bounded forms, Wells invites viewers into a space of reflection, where the full story remains deliberately just out of reach.


NINA TAKESH ON LEIGH WELLS
"My fascination with emerging artists stems from the pure creative energy they bring to the contemporary art landscape. There's an authenticity in their exploration that resonates deeply with how I approach interior spaces. Supporting these artists means being part of art history in the making.”
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