






SUNSET SETS
Screenprint on Canvas, Acrylic Detailing
In Luke Chiswell's latest Working Titles series, process becomes both subject and structure. Recreation is used as a way of staying engaged, of keeping things moving so that new moments can be found. Flattened cardboard boxes, from luxury packaging to standard moving cartons, are rebuilt, scaled through painting and hand-pulled screen prints. Close to their originals yet marked by subtle shifts of imperfections, the works explore perceived value, drawing from the streets of New York City where jewelry boxes and moving boxes meet the same pavement. Shown opened and spread flat, like emptied skins, they hold the trace of what they once contained while remaining open to projection. This emptiness mirrors the idea of the “Working titles” series, a container of potential. Phrases drawn from Chiswell's metaphor of “The studio is a garden, your time is water, creativity is sunshine, the works are flowers, move across the surface and drift toward Asemic writing, allowing language to function as both image and method.
“Working Titles treats the box as both container and metaphor, emptied of contents yet full of potential, where recreation, imperfection, and process become the way something new is found.”
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In Luke Chiswell's latest Working Titles series, process becomes both subject and structure. Recreation is used as a way of staying engaged, of keeping things moving so that new moments can be found. Flattened cardboard boxes, from luxury packaging to standard moving cartons, are rebuilt, scaled through painting and hand-pulled screen prints. Close to their originals yet marked by subtle shifts of imperfections, the works explore perceived value, drawing from the streets of New York City where jewelry boxes and moving boxes meet the same pavement. Shown opened and spread flat, like emptied skins, they hold the trace of what they once contained while remaining open to projection. This emptiness mirrors the idea of the “Working titles” series, a container of potential. Phrases drawn from Chiswell's metaphor of “The studio is a garden, your time is water, creativity is sunshine, the works are flowers, move across the surface and drift toward Asemic writing, allowing language to function as both image and method.
“Working Titles treats the box as both container and metaphor, emptied of contents yet full of potential, where recreation, imperfection, and process become the way something new is found.”
Artwork Information
Year
2025
Materials
Screenprint on Canvas, Acrylic Detailing
Dimensions
ARTWORK DIMENSIONS
59 x 79 inches
FRAMED DIMENSIONS
59 x 79 inches
Reveal: 60.75 x 80.75 x 2 inches
Unframed: 59 x 79 inches
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“Each work tells it's own story through unique markings and scratches, their own destruction giving rise to a moment, to a memory, to an achievement.”
About the Artist
Luke Chiswell
Recently featured in Architectural Digest, Hypebeast and Vogue UK, painter, sculptor and printmaker Luke Chiswell explores how the continual use of everyday objects--like skateboards and hotel stationery -- can hold a record of aspiration, error and accomplishment.
Photo by Lean Timms
About the Process
Chiswell's Trophies Series
To make works from his "Trophies" series, Chiswell skates on a skateboard until it breaks. During each skating session he repeats a specific word, like "try" or "best" to himself. When the board breaks, Chiswell considers it then a "Trophy" and the word he repeated is carved into it.

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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?

In Luke Chiswell's latest Working Titles series, process becomes both subject and structure. Recreation is used as a way of staying engaged, of keeping things moving so that new moments can be found. Flattened cardboard boxes, from luxury packaging to standard moving cartons, are rebuilt, scaled through painting and hand-pulled screen prints. Close to their originals yet marked by subtle shifts of imperfections, the works explore perceived value, drawing from the streets of New York City where jewelry boxes and moving boxes meet the same pavement. Shown opened and spread flat, like emptied skins, they hold the trace of what they once contained while remaining open to projection. This emptiness mirrors the idea of the “Working titles” series, a container of potential. Phrases drawn from Chiswell's metaphor of “The studio is a garden, your time is water, creativity is sunshine, the works are flowers, move across the surface and drift toward Asemic writing, allowing language to function as both image and method.
“Working Titles treats the box as both container and metaphor, emptied of contents yet full of potential, where recreation, imperfection, and process become the way something new is found.”


















