





Sundew No. 1
Acrylic skin on wood panel
In this new body of work, Orrin Whalen turns inward, revisiting personal histories and archived works as a way of uncovering unresolved ideas and overlooked visual narratives. Through an intricate and labor-intensive process, Whalen creates large-scale paint skins built from layered painterly techniques before dissecting them into latex fragments. Drawing inspiration from photographs of daily life, the artist’s garden, and travels abroad, the works incorporate color palettes and textures influenced by weathered surfaces, patinated objects, and naturally aged environments.
These fragments are then intuitively collaged into expansive compositions that suggest aerial landscapes, branching forms, and fleeting moments from the natural world, subtly reconnecting the works to the original places and memories from which they emerged. Balancing chance with deliberate construction, Whalen approaches each composition as both excavation and reconstruction — assembling painterly remnants into larger emotional and visual narratives. The resulting works explore memory, transformation, and the layered relationship between abstraction, place, and lived experience.
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In this new body of work, Orrin Whalen turns inward, revisiting personal histories and archived works as a way of uncovering unresolved ideas and overlooked visual narratives. Through an intricate and labor-intensive process, Whalen creates large-scale paint skins built from layered painterly techniques before dissecting them into latex fragments. Drawing inspiration from photographs of daily life, the artist’s garden, and travels abroad, the works incorporate color palettes and textures influenced by weathered surfaces, patinated objects, and naturally aged environments.
These fragments are then intuitively collaged into expansive compositions that suggest aerial landscapes, branching forms, and fleeting moments from the natural world, subtly reconnecting the works to the original places and memories from which they emerged. Balancing chance with deliberate construction, Whalen approaches each composition as both excavation and reconstruction — assembling painterly remnants into larger emotional and visual narratives. The resulting works explore memory, transformation, and the layered relationship between abstraction, place, and lived experience.
Artwork Information
Year
2026
Materials
Acrylic skin on wood panel
Authentication
Signed by Artist
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan.
Dimensions
ARTWORK DIMENSIONS
12 x 12 inches
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About the Artist
Orrin Whalen
Orrin Whalen is a British-American sculptor and painter and has exhibited at various galleries and museums including: Delaware Contemporary Museum, Maestri Gallery, Smythe-Mckee and Pluto Projects. In 2021, he was featured in Architectural Digest and Vogue Living AU, included in Miley Cyrus’ collection. He received his BFA from Emerson College in 2014.

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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?

In this new body of work, Orrin Whalen turns inward, revisiting personal histories and archived works as a way of uncovering unresolved ideas and overlooked visual narratives. Through an intricate and labor-intensive process, Whalen creates large-scale paint skins built from layered painterly techniques before dissecting them into latex fragments. Drawing inspiration from photographs of daily life, the artist’s garden, and travels abroad, the works incorporate color palettes and textures influenced by weathered surfaces, patinated objects, and naturally aged environments.
These fragments are then intuitively collaged into expansive compositions that suggest aerial landscapes, branching forms, and fleeting moments from the natural world, subtly reconnecting the works to the original places and memories from which they emerged. Balancing chance with deliberate construction, Whalen approaches each composition as both excavation and reconstruction — assembling painterly remnants into larger emotional and visual narratives. The resulting works explore memory, transformation, and the layered relationship between abstraction, place, and lived experience.


















