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Sun
DESCRIPTION
Archival ink on museum-quality cotton rag paper | 2017
To create the “Inscapes” series, Astrid Verhoef traveled to secluded landscapes around the world, from the Netherlands to Australia to Spain to the US. Photographing herself in isolated, natural scenes, Verhoef embodies a character who attempts to connect to her natural surroundings but struggles with the distractions of modern life. The black and white images verge on the surreal, as Verhoef’s curious character contrasts with the earth around her.
DIMENSIONS
12 x 18 inches
20 x 30 inches
32 x 47 inches
40 x 60 inches
FRAMED DIMENSIONS
12 x 18 inches
Matted: 19.5 x 25.5 x 2 inches
Full Bleed: 13.5 x 19.5 x 1.5 inches
20 x 30 inches
Matted: 28 x 38 x 2 inches
Full Bleed: 21.5 x 31.5 x 2 inches
32 x 47 inches
Matted: 40 x 55 x 2 inches
Full Bleed: 34 x 49 x 2 inches
40 x 60 inches
Full Bleed: 42 x 62 x 2 inches
AUTHENTICITY
The work comes with a Certification of Authenticity signed and numbered by the Co-Founder of Tappan.
Studio Visit
Q. Do you prefer silence or sound while you’re working?
A. Silence on location, music when contemplating.
Explore
We invite you to explore our collection of black and white photography by Tappan artists.
Framing & Mounting
Framing
Our frames are produced from the best quality wood, primarily from Italy. Each is custom cut and assembled by hand to fit your art. Hanging hardware included!
THIN GALLERY FRAME
This modern profile was designed for artists and photographers. Narrow on the front and deep on the sides, our slim mouldings provide a clean, sharp frame for your art, and allows all focus to be on your gorgeous work.
3/4" wide; 1 1/8" deep
UV - PROTECTIVE ACRYLIC
Our acrylic is more expensive than glass, but we use it because it’s clearer, far more impact resistant, and protects your art against UV rays. Framing-grade acrylic has become a new standard in framing because of its “clear” benefits.
THE FULL BLEED
Works are framed flush with the edge of your print without a mat. Request border modifications and spacers, which keep the work from touching the glass.
THE MAT
Adds a white core mat with a bevel cut opening to the edge of your print. If your work has a signature or edition numbering, we will automatically mat around it unless otherwise specified.
We use 4-ply, conservation-grade, acid-free mat board. We match whites and off-whites to your exact piece. Acid-free materials protect your art from yellowing or becoming brittle.
THE FLOAT
Floating a piece allows for a full view of the face and sides of the artwork. Floating is recommended for original drawings and paintings or any piece produced on specially trimmed paper.
+Follow Astrid Verhoef
