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Intersections of Place, Weld, Marigold, Madder and Indigo
DESCRIPTION
Silk and plaster | 2021
In her new series of sculptures, artist Crystal Gregory juxtaposes swaths of naturally-dyed silk on plaster in a reflection on the life cycle of the plant that lended itself to the dying process. Using natural dyes from plants that Gregory herself harvests, such as black hopi, black walnut, and goldenrod, the artist observes the color that emerges in each dye pot—a story of its environmental circumstance and the weather patterns endured during its lifetime. In this way, Gregory uses the dye as a conduit for the story of the plant itself. In this new series, Intersections of Place, Gregory acts as the muse for each plant source, allowing each color to tell the story of its life. The colorful silks are then cast into interior plaster, forever holding a history of place and time.
DIMENSIONS
20 x 16 x 1 inches
AUTHENTICATION
Signed by artist.
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan.
Framing & Mounting
Framing
Our frames are produced from the best quality wood, primarily from Italy. Each is custom cut and assembled by hand to fit your art. Hanging hardware included!
THIN GALLERY FRAME
This modern profile was designed for artists and photographers. Narrow on the front and deep on the sides, our slim mouldings provide a clean, sharp frame for your art, and allows all focus to be on your gorgeous work.
3/4" wide; 1 1/8" deep
UV - PROTECTIVE ACRYLIC
Our acrylic is more expensive than glass, but we use it because it’s clearer, far more impact resistant, and protects your art against UV rays. Framing-grade acrylic has become a new standard in framing because of its “clear” benefits.
THE FULL BLEED
Works are framed flush with the edge of your print without a mat. Request border modifications and spacers, which keep the work from touching the glass.
THE MAT
Adds a white core mat with a bevel cut opening to the edge of your print. If your work has a signature or edition numbering, we will automatically mat around it unless otherwise specified.
We use 4-ply, conservation-grade, acid-free mat board. We match whites and off-whites to your exact piece. Acid-free materials protect your art from yellowing or becoming brittle.
THE FLOAT
Floating a piece allows for a full view of the face and sides of the artwork. Floating is recommended for original drawings and paintings or any piece produced on specially trimmed paper.
“My work, I believe, lives in a realm of universal experiences because of the materials I choose. I hope to draw attention to that by representing them to the viewer in an unfamiliar way, allowing for a re-recognition whatever that means to the individual.”
About
Crystal Gregory
Crystal Gregory's sculptures combine the permanence of concrete with the fluidity of hand-woven textiles. Gregory has exhibited her work at numerous museums and galleries in the United States, including The Hunterdon Art Museum, The Rockwell Museum of Art, UK Art Museum (Kentucky). Gregory's work has been reviewed by in Hyperallergic, Surface Design Journal, Art Critical, and Peripheral Vision.
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