Always Almost

In his latest collection, Viktor Kobylianski deepens his investigation into how materials hold memory, tension, and the subtle residue of internal states. Each work begins as a tactile exchange with mineral-based slurries, locally sourced sand, pigments, and raw canvas—materials that respond to pressure, absence, and the passage of time. Rather than striving for a polished image, Kobylianski allows the surface to function as a record of process, preserving traces of movement and stillness alike.

Across the series, forms shift between grounded, earth-toned impressions and more vibrant, exploratory gestures. Some compositions settle into quiet, suspended fragments, while others expand outward through sharper colors or bolder abstraction. This interplay creates a field of reflection in which memory, perception, and material process continuously shape one another. United by a language of emergence—layers rising and dissolving in dialogue—the works form a quiet archive of moments that hover between clarity and blur, inviting viewers into an open space of interpretation.