



Waits for Flowers
European Hemp, Ink, Paste. Framed in Poplar.
In Repelling, textile artist Chanee Vijay challenges her natural inclination toward muted, analogous palettes by immersing herself in the energetic duality of complementary colors. In this 15-piece hemp textile collage series, Vijay hand-dyes and constructs works that investigate the emotional and visual tension between chromatic opposites. Complementary colors are biologically and psychologically intense when placed side by side. For Vijay, who gravitates toward balance, softness, and quiet chroma, this vibration mirrors an inner discomfort. These works emerge from that unease.
Across the series, Vijay experiments with what happens when these opposites are confronted, softened, layered, or allowed to bleed into one another. Hard contrasts dissolve into foggy borders. Saturated hues become atmospheric through hemp’s porous fiber. Colors that once repelled begin to converse. Each textile collage becomes a physical record of negotiating opposites. From the most extreme difference emerges the most stable neutral.
In Vijay's Words:
“I have generally kept my palettes soft and tonal. Anything too intense, with too much saturation, feels like conflict to my nervous system. But I realized that by confronting this discomfort, I could use the overstimulation as an act of growth."
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In Repelling, textile artist Chanee Vijay challenges her natural inclination toward muted, analogous palettes by immersing herself in the energetic duality of complementary colors. In this 15-piece hemp textile collage series, Vijay hand-dyes and constructs works that investigate the emotional and visual tension between chromatic opposites. Complementary colors are biologically and psychologically intense when placed side by side. For Vijay, who gravitates toward balance, softness, and quiet chroma, this vibration mirrors an inner discomfort. These works emerge from that unease.
Across the series, Vijay experiments with what happens when these opposites are confronted, softened, layered, or allowed to bleed into one another. Hard contrasts dissolve into foggy borders. Saturated hues become atmospheric through hemp’s porous fiber. Colors that once repelled begin to converse. Each textile collage becomes a physical record of negotiating opposites. From the most extreme difference emerges the most stable neutral.
In Vijay's Words:
“I have generally kept my palettes soft and tonal. Anything too intense, with too much saturation, feels like conflict to my nervous system. But I realized that by confronting this discomfort, I could use the overstimulation as an act of growth."
Artwork Information
Year
2025
Materials
European Hemp, Ink, Paste. Framed in Poplar.
Dimensions
ARTWORK DIMENSIONS
25 1/2 x 21 1/2 inches
FRAMED DIMENSIONS
25 1/2 x 21 1/2 inches
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email: info@thetappancollective.com
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About the Artist
Chanee Vijay
Chanee Vijay's abstract textile collages draw on her regard for local landforms, faults, cycles of growth and decay with materials, and techniques she gleaned across a decade of textile surface design and pillow production. Starting with her European hemp offcuts, Chanee plays with tonality, often over-dyeing and painting each piece to bring mood and enhanced character to the fabric. Her attentiveness to the interactions among forms reinforces the arrangement’s imperfect lines. The final composition is realized by pasting, then sculpting the hemp together to create movement and texture with raw exposed seams.

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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?

In Repelling, textile artist Chanee Vijay challenges her natural inclination toward muted, analogous palettes by immersing herself in the energetic duality of complementary colors. In this 15-piece hemp textile collage series, Vijay hand-dyes and constructs works that investigate the emotional and visual tension between chromatic opposites. Complementary colors are biologically and psychologically intense when placed side by side. For Vijay, who gravitates toward balance, softness, and quiet chroma, this vibration mirrors an inner discomfort. These works emerge from that unease.
Across the series, Vijay experiments with what happens when these opposites are confronted, softened, layered, or allowed to bleed into one another. Hard contrasts dissolve into foggy borders. Saturated hues become atmospheric through hemp’s porous fiber. Colors that once repelled begin to converse. Each textile collage becomes a physical record of negotiating opposites. From the most extreme difference emerges the most stable neutral.
In Vijay's Words:
“I have generally kept my palettes soft and tonal. Anything too intense, with too much saturation, feels like conflict to my nervous system. But I realized that by confronting this discomfort, I could use the overstimulation as an act of growth."


















