



No Call To Weep
European Hemp, Ink, Paste. Framed in Poplar.
In Dirty Flowers, Chanee Vijay presents a suite of hemp textile collages that investigate the emotional architecture of shame as it is experienced by women. Through layered compositions and fleshy, tinged tones, the works evoke how shame is carried in silence — shaped by cultural conditioning, family systems, and lived experience. Vijay reflects on its many forms: the pressures of beauty, the double binds of sexuality, the weight of caregiving, and the guilt embedded in ambition and self-assertion. Here, shame is not only psychological but somatic, lodged in the body as tightness, heaviness, and disconnection.
Yet Dirty Flowers is not a lament but a gesture of release. The series invites viewers to confront the roots of shame and imagine what might be shed. Vijay proposes that healing begins with visibility and kindness, with the courage to reshape inherited narratives.
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In Dirty Flowers, Chanee Vijay presents a suite of hemp textile collages that investigate the emotional architecture of shame as it is experienced by women. Through layered compositions and fleshy, tinged tones, the works evoke how shame is carried in silence — shaped by cultural conditioning, family systems, and lived experience. Vijay reflects on its many forms: the pressures of beauty, the double binds of sexuality, the weight of caregiving, and the guilt embedded in ambition and self-assertion. Here, shame is not only psychological but somatic, lodged in the body as tightness, heaviness, and disconnection.
Yet Dirty Flowers is not a lament but a gesture of release. The series invites viewers to confront the roots of shame and imagine what might be shed. Vijay proposes that healing begins with visibility and kindness, with the courage to reshape inherited narratives.
Artwork Information
Year
2025
Materials
European Hemp, Ink, Paste. Framed in Poplar.
Dimensions
ARTWORK DIMENSIONS
32 x 26 x 2 1/2 inches
FRAMED DIMENSIONS
32 x 26 x 2 1/2 inches
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About the Artist
Chanee Vijay
Chanee Vijay's abstract textile collages draw on her regard for local landforms, faults, cycles of growth and decay with materials, and techniques she gleaned across a decade of textile surface design and pillow production. Starting with her European hemp offcuts, Chanee plays with tonality, often over-dyeing and painting each piece to bring mood and enhanced character to the fabric. Her attentiveness to the interactions among forms reinforces the arrangement’s imperfect lines. The final composition is realized by pasting, then sculpting the hemp together to create movement and texture with raw exposed seams.

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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?

In Dirty Flowers, Chanee Vijay presents a suite of hemp textile collages that investigate the emotional architecture of shame as it is experienced by women. Through layered compositions and fleshy, tinged tones, the works evoke how shame is carried in silence — shaped by cultural conditioning, family systems, and lived experience. Vijay reflects on its many forms: the pressures of beauty, the double binds of sexuality, the weight of caregiving, and the guilt embedded in ambition and self-assertion. Here, shame is not only psychological but somatic, lodged in the body as tightness, heaviness, and disconnection.
Yet Dirty Flowers is not a lament but a gesture of release. The series invites viewers to confront the roots of shame and imagine what might be shed. Vijay proposes that healing begins with visibility and kindness, with the courage to reshape inherited narratives.