



exit xii
Acrylic, marble dust, ink, wood panel
In exit paintings, Michael Wall explores the intersection of storytelling and technology, examining how contemporary life is increasingly shaped by digital spaces. The series reflects on a moment of transition—where human presence begins to shift into virtual domains—and considers what remains after this threshold is crossed. Figures and forms appear as traces or remnants, suggesting a state of existence that is both present and diminished, where identity and experience are redefined through technological mediation.
Wall’s work engages themes of transcendence, nostalgia, and the evolving nature of reality, while also addressing a growing sense of detachment within contemporary culture. Through a combination of traditional and new media, he reflects on how digital immersion shapes perception, memory, and our sense of the future. The series ultimately presents a quiet meditation on change, capturing the tension between physical and virtual worlds as they continue to converge.
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In exit paintings, Michael Wall explores the intersection of storytelling and technology, examining how contemporary life is increasingly shaped by digital spaces. The series reflects on a moment of transition—where human presence begins to shift into virtual domains—and considers what remains after this threshold is crossed. Figures and forms appear as traces or remnants, suggesting a state of existence that is both present and diminished, where identity and experience are redefined through technological mediation.
Wall’s work engages themes of transcendence, nostalgia, and the evolving nature of reality, while also addressing a growing sense of detachment within contemporary culture. Through a combination of traditional and new media, he reflects on how digital immersion shapes perception, memory, and our sense of the future. The series ultimately presents a quiet meditation on change, capturing the tension between physical and virtual worlds as they continue to converge.
Artwork Information
Year
2025
Materials
Acrylic, marble dust, ink, wood panel
Authentication
Signed by Artist
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan.
Dimensions
ARTWORK DIMENSIONS
11 3/4 x 23 3/4 inches
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“My work reflects on collective and individual realities, the importance of truth and the shifting away from traditional spaces of spirituality.”
About the Artist
Michael Wall
Featured in Architectural Digest's "Best Young Abstract Artists You Should Know About" profile, Michael Wall's large, abstract paintings and unexpected shapes command both attention and consideration. Wall has also been featured in Wallpaper*, AnOther, Abstract Mag, and Cereal and shown in London, Taipei, Paris, Los Angeles, and Berlin.

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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?

In exit paintings, Michael Wall explores the intersection of storytelling and technology, examining how contemporary life is increasingly shaped by digital spaces. The series reflects on a moment of transition—where human presence begins to shift into virtual domains—and considers what remains after this threshold is crossed. Figures and forms appear as traces or remnants, suggesting a state of existence that is both present and diminished, where identity and experience are redefined through technological mediation.
Wall’s work engages themes of transcendence, nostalgia, and the evolving nature of reality, while also addressing a growing sense of detachment within contemporary culture. Through a combination of traditional and new media, he reflects on how digital immersion shapes perception, memory, and our sense of the future. The series ultimately presents a quiet meditation on change, capturing the tension between physical and virtual worlds as they continue to converge.


ALEXANDER MAY ON MICHAEL WALL
“I was directly captivated by this work as these are the two colors I am most attracted to. There is a simplicity in its form but it commands a primitive energy I am drawn to.”
Artwork: Black on Red


















