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Acrylic and ink on paper | 2020
Rashid’s works reference colonialism, westward expansion, and mythology through the telling of world history, specifically focusing on the 18th century, while remixing global players – African, European, ancient and indigenous peoples – in a process of storytelling and mythmaking. These works are Rashid’s first foray into prints of his original work, and capture small vignettes into his larger narrative. Rashid integrates and retells the past in a way that envisions a very different future outcome. His work makes the viewer question who is telling the stories of history, and what would we see or believe if it was told from another perspective.
20 x 15 inches
40 x 30 inches
20 x 15 inches
Matted: 27.5 x 22.5 x 1.25 inches
Full Bleed: 21.5 x 16.5 x 1.25 inches
40 x 30 inches
Matted: 48 x 38 x 2 inches
Full Bleed: 42 x 32 x 2 inches
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Q. What does the process of creation look like for you?
A. It starts with a lot of research. So many books...
Explore our curated collection of limited edition prints by Tappan artists.
Framing & Mounting
Our frames are produced from the best quality wood, primarily from Italy. Each is custom cut and assembled by hand to fit your art. Hanging hardware included!
THIN GALLERY FRAME
This modern profile was designed for artists and photographers. Narrow on the front and deep on the sides, our slim mouldings provide a clean, sharp frame for your art, and allows all focus to be on your gorgeous work.
3/4" wide; 1 1/8" deep
UV - PROTECTIVE ACRYLIC
Our acrylic is more expensive than glass, but we use it because it’s clearer, far more impact resistant, and protects your art against UV rays. Framing-grade acrylic has become a new standard in framing because of its “clear” benefits.
THE FULL BLEED
Works are framed flush with the edge of your print without a mat. Request border modifications and spacers, which keep the work from touching the glass.
Adds a white core mat with a bevel cut opening to the edge of your print. If your work has a signature or edition numbering, we will automatically mat around it unless otherwise specified.
We use 4-ply, conservation-grade, acid-free mat board. We match whites and off-whites to your exact piece. Acid-free materials protect your art from yellowing or becoming brittle.
Floating a piece allows for a full view of the face and sides of the artwork. Floating is recommended for original drawings and paintings or any piece produced on specially trimmed paper.
Recently exhibited in the Hammer Museum’s 2020 Made In LA and The Armory Show (New York), Umar Rashid (also known as Frohawk Two Feathers) uses painting and illustration to investigate and reframe and reclaim colonial narratives. Public collections include: Brooklyn Museum, Santa Barbara Museum of Art, Wadsworth Atheneum Museum of Art, Hudson River Museum, and Nevada Museum of Art.
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