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Brittle Wood
European Hemp, Wool (from Sonoma County), Ink, Paste on Gallery Wrapped Stretched Canvas
In Meadowland, Chanee Vijay turns her attention to the mutable terrain of the Sonoma County coast, translating its shifting hues and layered histories into thirteen abstract textile collages. She constructs surfaces that echo coastal meadows shaped as much by centuries of human use as by seasonal light. The compositions hold a quiet tension between past and present: ranch lands and sheep‑grazed fields, Indigenous histories, and the remnants of the nineteenth‑century mill era. Working in abstraction, Vijay allows the hemp ground and its layered stitchwork to read as visual sediment - accumulated time made tactile.
Vijay deepens this dialogue with place through material choices that serve as both gesture and record. Wool yarn sourced from Sonoma County sheep appears as deliberate interruption, while dyed hemp threads, stitched in raw seams, evoke the labor, resourcefulness, and endurance of earlier coastal communities. The resulting works feel excavated rather than constructed, as if the meadow itself had offered up its memory in fiber.
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In Meadowland, Chanee Vijay turns her attention to the mutable terrain of the Sonoma County coast, translating its shifting hues and layered histories into thirteen abstract textile collages. She constructs surfaces that echo coastal meadows shaped as much by centuries of human use as by seasonal light. The compositions hold a quiet tension between past and present: ranch lands and sheep‑grazed fields, Indigenous histories, and the remnants of the nineteenth‑century mill era. Working in abstraction, Vijay allows the hemp ground and its layered stitchwork to read as visual sediment - accumulated time made tactile.
Vijay deepens this dialogue with place through material choices that serve as both gesture and record. Wool yarn sourced from Sonoma County sheep appears as deliberate interruption, while dyed hemp threads, stitched in raw seams, evoke the labor, resourcefulness, and endurance of earlier coastal communities. The resulting works feel excavated rather than constructed, as if the meadow itself had offered up its memory in fiber.
Artwork Information
Year
2026
Materials
European Hemp, Wool (from Sonoma County), Ink, Paste on Gallery Wrapped Stretched Canvas
Authentication
Signed by Artist
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan.
Dimensions
ARTWORK DIMENSIONS
60 x 36 inches
FRAMED DIMENSIONS
60 x 36 inches
Reveal: 61.75 x 37.75 x 2 inches
Unframed: 60 x 36 inches
This artwork is custom-framed in hand-built solid wood framing with archival materials. Custom framed artworks will ship in 1 - 3 weeks.
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text: 310-388-3425
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About the Artist
Chanee Vijay
Chanee Vijay's abstract textile collages draw on her regard for local landforms, faults, cycles of growth and decay with materials, and techniques she gleaned across a decade of textile surface design and pillow production. Starting with her European hemp offcuts, Chanee plays with tonality, often over-dyeing and painting each piece to bring mood and enhanced character to the fabric. Her attentiveness to the interactions among forms reinforces the arrangement’s imperfect lines. The final composition is realized by pasting, then sculpting the hemp together to create movement and texture with raw exposed seams.

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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?

In Meadowland, Chanee Vijay turns her attention to the mutable terrain of the Sonoma County coast, translating its shifting hues and layered histories into thirteen abstract textile collages. She constructs surfaces that echo coastal meadows shaped as much by centuries of human use as by seasonal light. The compositions hold a quiet tension between past and present: ranch lands and sheep‑grazed fields, Indigenous histories, and the remnants of the nineteenth‑century mill era. Working in abstraction, Vijay allows the hemp ground and its layered stitchwork to read as visual sediment - accumulated time made tactile.
Vijay deepens this dialogue with place through material choices that serve as both gesture and record. Wool yarn sourced from Sonoma County sheep appears as deliberate interruption, while dyed hemp threads, stitched in raw seams, evoke the labor, resourcefulness, and endurance of earlier coastal communities. The resulting works feel excavated rather than constructed, as if the meadow itself had offered up its memory in fiber.


















