Bom Dia 02
inkjet toner, gel medium on panel | 2021
This new series from multidisciplinary artist Jeff Kraus explores a personal relationship to location, memory, and time through the use of everyday technologies such as an iPhone, a personal computer, and an inkjet printer. The Bom Dia series comprises digital panoramas collaged and glitched atop one another to create a brief moment of stillness both familiar and foreign. In this impermanence, nature collapses against technology and new memories and landscapes are formed.
42 x 34 inches
Signed by artist.
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Framing & Mounting
Our frames are produced from the best quality wood, primarily from Italy. Each is custom cut and assembled by hand to fit your art. Hanging hardware included!
THIN GALLERY FRAME
This modern profile was designed for artists and photographers. Narrow on the front and deep on the sides, our slim mouldings provide a clean, sharp frame for your art, and allows all focus to be on your gorgeous work.
3/4" wide; 1 1/8" deep
UV - PROTECTIVE ACRYLIC
Our acrylic is more expensive than glass, but we use it because it’s clearer, far more impact resistant, and protects your art against UV rays. Framing-grade acrylic has become a new standard in framing because of its “clear” benefits.
THE FULL BLEED
Works are framed flush with the edge of your print without a mat. Request border modifications and spacers, which keep the work from touching the glass.
Adds a white core mat with a bevel cut opening to the edge of your print. If your work has a signature or edition numbering, we will automatically mat around it unless otherwise specified.
We use 4-ply, conservation-grade, acid-free mat board. We match whites and off-whites to your exact piece. Acid-free materials protect your art from yellowing or becoming brittle.
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Multi-disciplinary artist Jeff Kraus's practice include painting, digital video, sculpture and NFTs. Kraus has been featured in Architectural Digest, The Wall Street Journal and Emergent Magazine and has exhibited across the us, including at Pace Gallery (New York). His work of considers particular locations that were critical to the process of making the work.
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