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Banksia Walk At Point Lonsdale
Acrylic, gesso, charcoal, conte and pastel on canvas
In Banksia Walk at Point Lonsdale, Amy Wright expands her distinctive botanical lens to a monumental scale, allowing her expressive mark-making to unfurl across the canvas with newfound rhythm and depth. The unusually large format invites full immersion into her layered world—where native flora, shifting light, and atmospheric color collapse into something between memory and sensation.
Wright’s approach to landscape resists strict documentation; instead, she filters place through emotion and movement. In this work, the familiar banksias of the Victorian coastline become gestural forms that echo wind, distance, and time. Color pulses across the surface in earthy reds, oceanic greens, and soft ochres, grounding the viewer while also suggesting the ephemeral—moments caught just before they fade. It's a painting that doesn’t just represent a walk, but re-creates the feeling of having been there, long after the path has ended.
On view: May 1 - May 22nd
Work will ship after the exhibition.
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In Banksia Walk at Point Lonsdale, Amy Wright expands her distinctive botanical lens to a monumental scale, allowing her expressive mark-making to unfurl across the canvas with newfound rhythm and depth. The unusually large format invites full immersion into her layered world—where native flora, shifting light, and atmospheric color collapse into something between memory and sensation.
Wright’s approach to landscape resists strict documentation; instead, she filters place through emotion and movement. In this work, the familiar banksias of the Victorian coastline become gestural forms that echo wind, distance, and time. Color pulses across the surface in earthy reds, oceanic greens, and soft ochres, grounding the viewer while also suggesting the ephemeral—moments caught just before they fade. It's a painting that doesn’t just represent a walk, but re-creates the feeling of having been there, long after the path has ended.
Artwork Information
Year
2025
Materials
Acrylic, gesso, charcoal, conte and pastel on canvas
Authentication
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Dimensions
75 x 68 inches
FRAMED DIMENSIONS
75 x 68 inches
Unframed: 75 x 68 inches
This artwork is custom-framed in hand-built solid wood framing with archival materials. Custom framed artworks will ship in 1 - 3 weeks.
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“I am inspired by the untamed, often overlooked and abandoned landscapes where nature is allowed to flourish unchecked, reclaiming its space from human interventions.”

About the Artist
Amy Wright
Amy Wright is an Australian contemporary landscape artist whose work, rooted in figuration, explores the vitality of nature and captures wild and untamed landscapes through an abstract lens. With a diverse career in textile design, fine art, and floristry, Wright's large paintings explore narratives rich in pattern, texture, and color. Based in Regional Victoria, she creates from her garden studio, fully immersed in the landscapes that inspire her.
Amy Wright on View in
PROXIMITIES
Tappan New York City
100 Grand Street, New York NY
May 1 - May 22nd

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On view: May 1 - May 22nd
Work will ship after the exhibition.
View the Exhibition
Plan Your Visit
This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?

In Banksia Walk at Point Lonsdale, Amy Wright expands her distinctive botanical lens to a monumental scale, allowing her expressive mark-making to unfurl across the canvas with newfound rhythm and depth. The unusually large format invites full immersion into her layered world—where native flora, shifting light, and atmospheric color collapse into something between memory and sensation.
Wright’s approach to landscape resists strict documentation; instead, she filters place through emotion and movement. In this work, the familiar banksias of the Victorian coastline become gestural forms that echo wind, distance, and time. Color pulses across the surface in earthy reds, oceanic greens, and soft ochres, grounding the viewer while also suggesting the ephemeral—moments caught just before they fade. It's a painting that doesn’t just represent a walk, but re-creates the feeling of having been there, long after the path has ended.