









Modern Relics #21
Porcelain
Stacy Solodkin’s work is a balance of strength and delicacy, expressed through sculptural forms that feel both ancient and alive. Hand-built using raw clay bodies mixed with cotton linter fiber, each piece carries the imprint of time—creases, folds, and voids left behind as the fiber burns away during firing. These physical absences become poetic presences, holding space for memory, transformation, and impermanence. Her work is a meditative study in texture and gesture.
Organic and gestural, the sculptures evoke unearthed artifacts or ceremonial objects, as if pulled from an archeological dig of the psyche. Rooted in process and instinct, her practice rejects perfection in favor of authenticity, revealing a quiet resilience in every crack and curve. Solodkin’s work is not static—it is a vessel of emotional and material history, holding stories written in earth, fire, and the artist’s hand.
Be in the Know About Artwork Launches & Artist News
This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
Stacy Solodkin’s work is a balance of strength and delicacy, expressed through sculptural forms that feel both ancient and alive. Hand-built using raw clay bodies mixed with cotton linter fiber, each piece carries the imprint of time—creases, folds, and voids left behind as the fiber burns away during firing. These physical absences become poetic presences, holding space for memory, transformation, and impermanence. Her work is a meditative study in texture and gesture.
Organic and gestural, the sculptures evoke unearthed artifacts or ceremonial objects, as if pulled from an archeological dig of the psyche. Rooted in process and instinct, her practice rejects perfection in favor of authenticity, revealing a quiet resilience in every crack and curve. Solodkin’s work is not static—it is a vessel of emotional and material history, holding stories written in earth, fire, and the artist’s hand.
Artwork Information
Materials
Porcelain
Dimensions
ARTWORK DIMENSIONS
13 x 16 x 13 inches
FRAMED DIMENSIONS
13 x 16 x 13 inches
Custom Orders
We offer a wide variety of custom framing options, please reach out for more information.
Shipping times vary per artwork, text, email, or chat with us to expedite shipping.
text: 310-388-3425
email: info@thetappancollective.com
Art Advising Services
Complimentary art advising services available on request. More info here
About the Artist
Stacy Solodkin
Stacy Solodkin (b. 1970, Louisville, KY) is a Los Angeles-based artist whose practice spans painting and sculpture. For nearly four decades, she worked in acrylic and encaustic, developing an abstract visual language defined by accumulated gesture and material transformation.
Currently working primarily with porcelain reinforced by cotton linter, Solodkin creates forms that would be structurally impossible without the fiber's temporary architecture. Rooted in this kind of resourcefulness and improvisation, her practice positions the studio as a site of continual experimentation where setbacks become catalysts for invention -- where resilience is discovered in moments of decision.
Solodkin has studied ceramic traditions throughout the United States and Asia and recently expanded her material research at Pilchuck Glass School, founded by Dale Chihuly. Her work has been exhibited throughout the US and is held in private collections internationally.
Choose options










This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
Stacy Solodkin’s work is a balance of strength and delicacy, expressed through sculptural forms that feel both ancient and alive. Hand-built using raw clay bodies mixed with cotton linter fiber, each piece carries the imprint of time—creases, folds, and voids left behind as the fiber burns away during firing. These physical absences become poetic presences, holding space for memory, transformation, and impermanence. Her work is a meditative study in texture and gesture.
Organic and gestural, the sculptures evoke unearthed artifacts or ceremonial objects, as if pulled from an archeological dig of the psyche. Rooted in process and instinct, her practice rejects perfection in favor of authenticity, revealing a quiet resilience in every crack and curve. Solodkin’s work is not static—it is a vessel of emotional and material history, holding stories written in earth, fire, and the artist’s hand.


















