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Metamorphosis 04
DESCRIPTION
Archival ink on museum-quality cotton rag paper | 2022
“Metamorphosis,” the new series of photographs by Jan Prengel, deals with the limits of matter — how it dissolves, and what different forms and changes of existence are possible. Prengel asks viewers to contemplate existential questions like: Is there a kind of materiality in the universe that cannot be perceived with our senses and the technical ways known to us? Is there a process of separation of body and soul after a living being dies? Where would this energy be after such a process? The series comprises photographed objects — withered parts of plants that usually appear lifeless. But by changing their shape, they have gained a whole new aesthetic and shine in the warm light like blazing flames. Energy seems to detach from the matter and transmit itself into space.
DIMENSIONS
24 x 18 inches
32 x 24 inches
40 x 30 inches
FRAMED DIMENSIONS
24 x 18 inches
Matted: 31.5 x 25.5 x 2 inches
Full Bleed: 25.5 x 19.5 x 2 inches
32 x 24 inches
Matted: 40 x 32 x 2 inches
Full Bleed: 33.5 x 25.5 x 2 inches
40 x 30 inches
Matted: 48 x 38 x 2 inches
Full Bleed: 42 x 32 x 2 inches
AUTHENTICATION
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Framing & Mounting
Framing
Our frames are produced from the best quality wood, primarily from Italy. Each is custom cut and assembled by hand to fit your art. Hanging hardware included!
THIN GALLERY FRAME
This modern profile was designed for artists and photographers. Narrow on the front and deep on the sides, our slim mouldings provide a clean, sharp frame for your art, and allows all focus to be on your gorgeous work.
3/4" wide; 1 1/8" deep
UV - PROTECTIVE ACRYLIC
Our acrylic is more expensive than glass, but we use it because it’s clearer, far more impact resistant, and protects your art against UV rays. Framing-grade acrylic has become a new standard in framing because of its “clear” benefits.
THE FULL BLEED
Works are framed flush with the edge of your print without a mat. Request border modifications and spacers, which keep the work from touching the glass.
THE MAT
Adds a white core mat with a bevel cut opening to the edge of your print. If your work has a signature or edition numbering, we will automatically mat around it unless otherwise specified.
We use 4-ply, conservation-grade, acid-free mat board. We match whites and off-whites to your exact piece. Acid-free materials protect your art from yellowing or becoming brittle.
THE FLOAT
Floating a piece allows for a full view of the face and sides of the artwork. Floating is recommended for original drawings and paintings or any piece produced on specially trimmed paper.
Jan Prengel
Jan Prengel
Prengel's photography practice includes elegant architectural photographs and haunting floral still lifes. His work has been featured in Architectural Digest , Design You Trust, SFGATE, Aesthetica Magazine, and Condé Nast Traveler.
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