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I Cast a Spell
Oil pastel and colored pencil on Arches paper
Laura Burke’s jewel-toned paintings shimmer with dreamlike intensity, collapsing the boundaries between interior and exterior worlds. With intuitive arrangements that feel both domestic and fantastical, Burke conjures scenes where floral blooms press against windowpanes and fruit-laden tables dissolve into lush, surreal landscapes. Her compositions unfold like visual poems—quietly uncanny, rich in color, and laden with symbolic tension.
In Burke’s world, the home is not a container but a portal: walls breathe, objects glow, and the still life becomes anything but still. Botanical forms creep in through curtains or rise from the floor, while vessels and vases blur into terrain. This porousness—between inside and out, real and imagined—offers a meditation on permeability itself: how we absorb the world, how memory and nature root themselves in our daily surroundings. Through her alchemical use of color and enigmatic forms, Burke invites the viewer into a space where perception softens, and the familiar becomes mysteriously alive.
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Laura Burke’s jewel-toned paintings shimmer with dreamlike intensity, collapsing the boundaries between interior and exterior worlds. With intuitive arrangements that feel both domestic and fantastical, Burke conjures scenes where floral blooms press against windowpanes and fruit-laden tables dissolve into lush, surreal landscapes. Her compositions unfold like visual poems—quietly uncanny, rich in color, and laden with symbolic tension.
In Burke’s world, the home is not a container but a portal: walls breathe, objects glow, and the still life becomes anything but still. Botanical forms creep in through curtains or rise from the floor, while vessels and vases blur into terrain. This porousness—between inside and out, real and imagined—offers a meditation on permeability itself: how we absorb the world, how memory and nature root themselves in our daily surroundings. Through her alchemical use of color and enigmatic forms, Burke invites the viewer into a space where perception softens, and the familiar becomes mysteriously alive.
Artwork Information
Year
2025
Materials
Oil pastel and colored pencil on Arches paper
Authentication
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Dimensions
30 x 22 inches
FRAMED DIMENSIONS
30 x 22 inches
Floated: 34 1/2 x 26 1/2 x 2 inches
Unframed: 30 x 22 inches
This artwork is custom-framed in hand-built solid wood framing with archival materials. Custom framed artworks will ship in 1 - 3 weeks.
Custom Orders
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text: 310-388-3425
email: [email protected]
Art Advising Services
Complimentary art advising services available on request. More info here
“I view the objects I draw as characters in a scene that the viewer is seeing by accident. They’re lovers and friends, playing out intimate moments that I hope can be related to.”

About the Artist
Laura Burke
Laura Burke's work has been featured at the Oregon Museum of Arts & Crafts, in Harper's Bazaar, It's Nice That, and Booooom, among others. Her work explores the significance of memory in relation to what is still around us.
Laura Burke on View in
PROXIMITIES
Tappan New York City
100 Grand Street, New York NY
May 1 - May 22nd

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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?

Laura Burke’s jewel-toned paintings shimmer with dreamlike intensity, collapsing the boundaries between interior and exterior worlds. With intuitive arrangements that feel both domestic and fantastical, Burke conjures scenes where floral blooms press against windowpanes and fruit-laden tables dissolve into lush, surreal landscapes. Her compositions unfold like visual poems—quietly uncanny, rich in color, and laden with symbolic tension.
In Burke’s world, the home is not a container but a portal: walls breathe, objects glow, and the still life becomes anything but still. Botanical forms creep in through curtains or rise from the floor, while vessels and vases blur into terrain. This porousness—between inside and out, real and imagined—offers a meditation on permeability itself: how we absorb the world, how memory and nature root themselves in our daily surroundings. Through her alchemical use of color and enigmatic forms, Burke invites the viewer into a space where perception softens, and the familiar becomes mysteriously alive.