







Ash Bloom N.8
Porcelain sculpture fired in Anagama kiln
Chala Toprak’s Garden of Ashes II continues her exploration of transformation through the ancient Japanese technique of Anagama firing. In this meditative process, wood is stoked continuously for more than one hundred hours, its flames consuming each stack until only ash remains. Yet ash is not merely an ending—it is a quiet catalyst for rebirth, settling unpredictably across the vessels to leave behind rare and radiant traces of new life.
For Toprak, the process is as much spiritual as it is technical, requiring patience, presence, and a surrender to the forces often described as the “kiln gods.” When the kiln is finally opened, the results are not simply functional outcomes but moments of revelation. The ash reemerges as glaze, transforming and honoring each surface—its mark both a signature of fire and a vessel’s second life, revealed in full glory.
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Chala Toprak’s Garden of Ashes II continues her exploration of transformation through the ancient Japanese technique of Anagama firing. In this meditative process, wood is stoked continuously for more than one hundred hours, its flames consuming each stack until only ash remains. Yet ash is not merely an ending—it is a quiet catalyst for rebirth, settling unpredictably across the vessels to leave behind rare and radiant traces of new life.
For Toprak, the process is as much spiritual as it is technical, requiring patience, presence, and a surrender to the forces often described as the “kiln gods.” When the kiln is finally opened, the results are not simply functional outcomes but moments of revelation. The ash reemerges as glaze, transforming and honoring each surface—its mark both a signature of fire and a vessel’s second life, revealed in full glory.
Artwork Information
Year
2025
Materials
Porcelain sculpture fired in Anagama kiln
Dimensions
ARTWORK DIMENSIONS
13 x 14 x 14 inches
FRAMED DIMENSIONS
13 x 14 x 14 inches
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“Like life, they are a gift, created with love and kindness from my hand to yours.”

About the Artist
Chala Toprak
Starting out as a fashion designer in her hometown of Istanbul, Chala Toprak, swapped out one metropolis for another and found a home in Brooklyn in 2019, where she first started working with clay. Toprak soon found solace at the pottery wheel and what began as a hobby quickly developed into a full-time pursuit.

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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
Chala Toprak’s Garden of Ashes II continues her exploration of transformation through the ancient Japanese technique of Anagama firing. In this meditative process, wood is stoked continuously for more than one hundred hours, its flames consuming each stack until only ash remains. Yet ash is not merely an ending—it is a quiet catalyst for rebirth, settling unpredictably across the vessels to leave behind rare and radiant traces of new life.
For Toprak, the process is as much spiritual as it is technical, requiring patience, presence, and a surrender to the forces often described as the “kiln gods.” When the kiln is finally opened, the results are not simply functional outcomes but moments of revelation. The ash reemerges as glaze, transforming and honoring each surface—its mark both a signature of fire and a vessel’s second life, revealed in full glory.