“Awash is the result of a meandering journey around Iceland in 2012. I set out to shoot amongst the traditional beauty of Iceland, but soon came to find many of the blank spaces in between destinations were what struck me the most. As we crisscrossed the island, we passed through barren landscapes awash with light and at times almost monochromatic in color. It was in these places of nothing that this series was born.”
This Exclusive Tappan Collective Edition is an archival photographic art print on natural white, 100% cotton rag, acid and lignin free archival watercolor paper. The dimensions reflect the image size. There is an additional 3" border included for framing purposes.
12 x 18 inches | edition of 25
16 x 24 inches | edition of 15
12 x 18 inches
Matted: 19.5 x 25.5 x 1.25 inches
Full Bleed: 13.5 x 19.5 x 1.25 inches
16 x 24 inches:
Matted: 23.5 x 31.5 x 1.25 inches
Full Bleed: 17.5 x 25.5 x 1.25 inches
The work comes with a Certification of Authenticity signed and numbered by the Co-Founder of Tappan
Unframed works ship in 5 - 7 business days.
Framed pieces ship in 7 - 10 business days.
Q. Identify yourself as a photographer?
A. Artist is better, artist working in photography…
See how Tappan helped Wit & Delight, Kate Arends curate her gallery wall featuring Brian's Merriam's photography.
Framing & Mounting
Our frames are produced from the best quality wood, primarily from Italy. Each is custom cut and assembled by hand to fit your art. Hanging hardware included!
THIN GALLERY FRAME
This modern profile was designed for artists and photographers. Narrow on the front and deep on the sides, our slim mouldings provide a clean, sharp frame for your art, and allows all focus to be on your gorgeous work.
3/4" wide; 1 1/8" deep
UV - PROTECTIVE ACRYLIC
Our acrylic is more expensive than glass, but we use it because it’s clearer, far more impact resistant, and protects your art against UV rays. Framing-grade acrylic has become a new standard in framing because of its “clear” benefits.
THE FULL BLEED
Works are framed flush with the edge of your print without a mat. Request border modifications and spacers, which keep the work from touching the glass.
Adds a white core mat with a bevel cut opening to the edge of your print. If your work has a signature or edition numbering, we will automatically mat around it unless otherwise specified.
We use 4-ply, conservation-grade, acid-free mat board. We match whites and off-whites to your exact piece. Acid-free materials protect your art from yellowing or becoming brittle.
Floating a piece allows for a full view of the face and sides of the artwork. Floating is recommended for original drawings and paintings or any piece produced on specially trimmed paper.
Featured in Vogue, Dwell, Juxtapoz, Domino and The New Yorker, photographer Brian Merriam travels to the most remote parts of the world to capture rarely seen landscapes and celestial phenomena, including the Himalayas, the Aurora Borealis, lush Hawaiian jungles and total solar eclipses.
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