Rosa Mundi 2
Archival ink on museum-quality cotton rag paper | 2021
For his new series of island photographs, artist Brian Merriam manages to do the improbable: to render the invisible visible. In Rosa Mundi, a series of rose-colored snapshots of the natural environment, the pinks and maroons that color baby ferns, rock walls, and palm trees aren’t pigments—they are the infrared portions of the scene that are invisible to the naked eye. Merriam uses a converted camera with sensitivity to the full spectrum of light to capture the images, allowing the viewer a condensed first, second, and third glimpse of a place—seeing all at once what has always been there but has remained just out of sight. Rosa Mundi is a magic act—with the range of visible light expanded in such a way, a little more of the universe is rendered perceptible, and the familiar is made unfamiliar once again.
18 x 12 inches
24 x 16 inches
45 x 30 inches
60 x 40 inches
12 x 18 inches:
Matted: 25.5 x 19.5 x 2 inches
Full Bleed: 19.5 x 13.5 x 1.5 inches inches
24 x 16 inches:
Matted: 31.5 x 23.5 x 2 inches
Full Bleed: 25.5 x 17.5 x 2 inches
45 x 30 inches:
Matted: 53 x 38 x 2 inches
Full Bleed: 47 x 32 x 2 inches
60 x 40 inches:
Full Bleed: 62 x 42 x 2 inches
The work comes with a Certification of Authenticity signed and numbered by the Co-Founder of Tappan
Framing & Mounting
Our frames are produced from the best quality wood, primarily from Italy. Each is custom cut and assembled by hand to fit your art. Hanging hardware included!
THIN GALLERY FRAME
This modern profile was designed for artists and photographers. Narrow on the front and deep on the sides, our slim mouldings provide a clean, sharp frame for your art, and allows all focus to be on your gorgeous work.
3/4" wide; 1 1/8" deep
UV - PROTECTIVE ACRYLIC
Our acrylic is more expensive than glass, but we use it because it’s clearer, far more impact resistant, and protects your art against UV rays. Framing-grade acrylic has become a new standard in framing because of its “clear” benefits.
THE FULL BLEED
Works are framed flush with the edge of your print without a mat. Request border modifications and spacers, which keep the work from touching the glass.
Adds a white core mat with a bevel cut opening to the edge of your print. If your work has a signature or edition numbering, we will automatically mat around it unless otherwise specified.
We use 4-ply, conservation-grade, acid-free mat board. We match whites and off-whites to your exact piece. Acid-free materials protect your art from yellowing or becoming brittle.
Floating a piece allows for a full view of the face and sides of the artwork. Floating is recommended for original drawings and paintings or any piece produced on specially trimmed paper.
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Featured in Vogue, Dwell, Juxtapoz, Domino and The New Yorker, photographer Brian Merriam travels to the most remote parts of the world to capture rarely seen landscapes and celestial phenomena, including the Himalayas, the Aurora Borealis, lush Hawaiian jungles and total solar eclipses.
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