Ancient Medicine 32
Following news of his father’s death in July 2016, Merriam spent a year searching for places to observe and photograph unique geology, the cycles of sedimentation and erosion, glaciation and volcanism.
Descending into an ‘ancient world’ allowed him to find the peace necessary to rebuild a life in the present.
In the Ancient Medicine photographs, the horizon is purposefully disregarded to give a feeling of immersion in the geology, asking the viewer to consider the slow tick of eons that have led to these compositions. Likening the process to painting with time, objects and landscapes of monumental size take on an ambiguous scale.
18 x 12 inches | Edition of 30
24 x 16 inches | Edition of 25
30 x 20 inches | Edition of 15
45 x 30 inches | Edition of 15
60 x 40 inches | Edition of 5
18 x 12 inches:
Matted: 25.5 x 19.5 x 1.25 inches
Full Bleed: 19.5 x 13.5 x 1.25 inches
24 x 16 inches:
Matted: 31.5 x 23.5 x 1.25 inches
Full Bleed: 25.5 x 17.5 x 1.25 inches inches
30 x 20 inches:
Matted: 37.5 x 27.5 x 1.25 inches
Full Bleed: 31.5 x 21.5 x 1.25 inches
45 x 30 inches:
Matted: 53 x 38 x 2 inches
Full Bleed: 47 x 32 x 2 inches
60 x 40 inches:
Full Bleed: 62 x 42 x 2 inches
The work comes with a Certification of Authenticity signed and numbered by the Co-Founder of Tappan
Framing & Mounting
Our frames are produced from the best quality wood, primarily from Italy. Each is custom cut and assembled by hand to fit your art. Hanging hardware included!
THIN GALLERY FRAME
This modern profile was designed for artists and photographers. Narrow on the front and deep on the sides, our slim mouldings provide a clean, sharp frame for your art, and allows all focus to be on your gorgeous work.
3/4" wide; 1 1/8" deep
UV - PROTECTIVE ACRYLIC
Our acrylic is more expensive than glass, but we use it because it’s clearer, far more impact resistant, and protects your art against UV rays. Framing-grade acrylic has become a new standard in framing because of its “clear” benefits.
THE FULL BLEED
Works are framed flush with the edge of your print without a mat. Request border modifications and spacers, which keep the work from touching the glass.
Adds a white core mat with a bevel cut opening to the edge of your print. If your work has a signature or edition numbering, we will automatically mat around it unless otherwise specified.
We use 4-ply, conservation-grade, acid-free mat board. We match whites and off-whites to your exact piece. Acid-free materials protect your art from yellowing or becoming brittle.
Floating a piece allows for a full view of the face and sides of the artwork. Floating is recommended for original drawings and paintings or any piece produced on specially trimmed paper.
Featured in Vogue, Dwell, Juxtapoz, Domino and The New Yorker, photographer Brian Merriam travels to the most remote parts of the world to capture rarely seen landscapes and celestial phenomena, including the Himalayas, the Aurora Borealis, lush Hawaiian jungles and total solar eclipses.
+Follow Brian Merriam