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Archival pigment print | 2019
Through this collection of digital prints, it should come as no surprise that Southgate-Smith has a background in sculpture and site-specific installation. Using those tools, combined with the advancements of technology, she’s created a series of strikingly monochromatic, two-dimensional works that break down elements of classical architecture into more modern compositions that highlight her love of the three-dimensional format with careful attention to her tactile textures.
19.7 x 19.7 inches
39.4 x 39.4 inches
58 x 58 inches
19.7 x 19.7 inches:
Full Bleed: 21.2 x 21.2 x 1.25 inches
39.4 x 39.4 inches:
Full Bleed: 41.4 x 41.4 x 2 inches
58 x 58 inches:
Full Bleed: 60 x 60 x 2 inches
The work comes with a Certification of Authenticity signed and numbered by the Co-Founder of Tappan
Q. Describe your work in three words.
A. Duration. Space. Voice.
Our artists explore the landscape of urbanism, architecture and structures, both literally and in the abstract.
Southgate-Smith has developed a practice comprising film, text, spoken word, performance, sound, installation, and sculpture. The work often references and questions articulations of black, queer, and female experience. Southgate-Smith is the founder of the curatorial platform for expanded media and performance, The House of Contemporaries (2020), and the former Co-Founder of 14TH CINEMA (2016-2018). Her work has been featured in *Wallpaper, *AD Daily France, UMBIGO Magazine , The Other Sight, and WWD.
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