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Untitled #158
Natural and Synthetic Fiber and Dye
Victoria Manganiello’s practice examines the fundamental relationship between materials and human experience through a synthesis of traditional textile methods and emerging technologies. Working with hand-spun yarns, custom dyes, and woven structures, she integrates historical techniques of textile production with contemporary approaches such as physical computing and computational materials. Her work spans a range of forms—including sculptural installation, wall-based works, performance, and socially engaged projects—and draws on abstraction informed by geography and systems-based mapping. By treating weaving and knitting as both code and language, Manganiello connects material processes to broader ideas of communication, while conceptually grounding her practice in the intertwined histories of technology, gender, food, and craft. Through this approach, her work creates immersive environments that bridge past and present, offering speculative reflections on the future of material and cultural systems.
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Victoria Manganiello’s practice examines the fundamental relationship between materials and human experience through a synthesis of traditional textile methods and emerging technologies. Working with hand-spun yarns, custom dyes, and woven structures, she integrates historical techniques of textile production with contemporary approaches such as physical computing and computational materials. Her work spans a range of forms—including sculptural installation, wall-based works, performance, and socially engaged projects—and draws on abstraction informed by geography and systems-based mapping. By treating weaving and knitting as both code and language, Manganiello connects material processes to broader ideas of communication, while conceptually grounding her practice in the intertwined histories of technology, gender, food, and craft. Through this approach, her work creates immersive environments that bridge past and present, offering speculative reflections on the future of material and cultural systems.
Artwork Information
Year
2022
Materials
Natural and Synthetic Fiber and Dye
Dimensions
ARTWORK DIMENSIONS
26 1/4 x 24 x 1 1/2 inches
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"When I make a woven painting, I build the canvas itself as I build the abstract composition. The threads, pigments and structures create a sculptural object that reveals the hand that constructed it."
About the Artist
Victoria Manganiello
Victoria Manganiello is a craft artist whose practice engages textiles, pigment, and fiber science through both traditional and technological processes. Working across large-scale installations and woven paintings, her work explores the intersection of material innovation and craft, and has been exhibited internationally at institutions including the Museum of Art and Design, New York Public Library, Australian Tapestry Workshop, and A.I.R. Gallery. Her work is held in permanent collections such as Microsoft (Craftwork), the Brookfield Collection, the Tang Museum, and other private collections across the United States and Europe.
In addition to her studio practice, Manganiello is a part-time Assistant Professor of Textiles at Parsons School of Design and New York University. She has been the recipient of numerous grants, commissions, and residency appointments internationally. Manganiello lives and works in Brooklyn, New York.
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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?

Victoria Manganiello’s practice examines the fundamental relationship between materials and human experience through a synthesis of traditional textile methods and emerging technologies. Working with hand-spun yarns, custom dyes, and woven structures, she integrates historical techniques of textile production with contemporary approaches such as physical computing and computational materials. Her work spans a range of forms—including sculptural installation, wall-based works, performance, and socially engaged projects—and draws on abstraction informed by geography and systems-based mapping. By treating weaving and knitting as both code and language, Manganiello connects material processes to broader ideas of communication, while conceptually grounding her practice in the intertwined histories of technology, gender, food, and craft. Through this approach, her work creates immersive environments that bridge past and present, offering speculative reflections on the future of material and cultural systems.


















