Eyes of Storms like Nodes of a Net 8
Archival ink on museum-quality cotton rag paper | 2020
Hitting the road, Merriam sought to escape the devastating reality of 2020 and the COVID-19 pandemic by road tripping through the American West, photographing the perfectly peaceful serenity of nature. Returning to the terrain he had visited early on in his career, the photographs in Eyes of Storms like Nodes of a Net capture the awe-inspiring beauty and stillness of the natural world within the turbulent and traumatic context of the pandemic. “I liken each image in the series to a moment of calm in the eye of the storm that was 2020.”
Please note, the 84 x 56 print will be produced upon sale. Please contact one of our art advisors for an estimated delivery date.
16 x 24 inches
24 x 36 inches
30 x 45 inches
40 x 60 inches
56 x 84 inches
16 x 24 inches:
Matted: 23.5 x 31.5 x 2 inches
Full Bleed: 17.5 x 25.5 x 2 inches
24 x 36 inches:
Matted: 32 x 44 x 2 inches
Full Bleed: 25.5 x 37.5 x 2 inches inches
30 x 45 inches:
Matted: 38 x 53 x 2 inches
Full Bleed: 32 x 47 x 2 inches
40 x 60 inches:
Full Bleed: 42 x 62 x 2 inches
56 x 84 inches:
Full Bleed: 58 x 86 x 2 inches
The work comes with a Certification of Authenticity signed and numbered by the Co-Founder of Tappan
Framing & Mounting
Our frames are produced from the best quality wood, primarily from Italy. Each is custom cut and assembled by hand to fit your art. Hanging hardware included!
THIN GALLERY FRAME
This modern profile was designed for artists and photographers. Narrow on the front and deep on the sides, our slim mouldings provide a clean, sharp frame for your art, and allows all focus to be on your gorgeous work.
3/4" wide; 1 1/8" deep
UV - PROTECTIVE ACRYLIC
Our acrylic is more expensive than glass, but we use it because it’s clearer, far more impact resistant, and protects your art against UV rays. Framing-grade acrylic has become a new standard in framing because of its “clear” benefits.
THE FULL BLEED
Works are framed flush with the edge of your print without a mat. Request border modifications and spacers, which keep the work from touching the glass.
Adds a white core mat with a bevel cut opening to the edge of your print. If your work has a signature or edition numbering, we will automatically mat around it unless otherwise specified.
We use 4-ply, conservation-grade, acid-free mat board. We match whites and off-whites to your exact piece. Acid-free materials protect your art from yellowing or becoming brittle.
Floating a piece allows for a full view of the face and sides of the artwork. Floating is recommended for original drawings and paintings or any piece produced on specially trimmed paper.
Shipping & Returns
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If your works arrive damaged, please ensure Tappan is notified within 10 days of delivery.
Featured in Vogue, Dwell, Juxtapoz, Domino and The New Yorker, photographer Brian Merriam travels to the most remote parts of the world to capture rarely seen landscapes and celestial phenomena, including the Himalayas, the Aurora Borealis, lush Hawaiian jungles and total solar eclipses.
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