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Colour Study 4
Oil and oil stick on Belgium linen
In A Garden For Her, Hannah Carrick presents a body of work created during her pregnancy with her first child, a daughter expected in spring. Rather than imposing a fixed direction on the series, Carrick allowed the paintings to unfold intuitively, following their emerging rhythms and imagery. The works inhabit the world of spring gardens—lily ponds, flower-filled meadows, and blossoms poised just before opening—rendered through a soft, unhurried palette of greens, deep blues, and pinks. Layered until color begins to feel more like light than pigment, the paintings carry a sense of anticipation, tenderness, and quiet transformation.
Throughout the series, painting becomes an act of listening and attention. The studio offered Carrick a space of stillness in which to connect with the presence of her daughter before they had met, and that intimacy is embedded in the atmosphere of the work. Open, attentive, and deeply personal, A Garden For Her reflects the threshold between one life and the beginning of another, offering a meditation on expectancy, love, and the gentle emergence of something not yet fully known.
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In A Garden For Her, Hannah Carrick presents a body of work created during her pregnancy with her first child, a daughter expected in spring. Rather than imposing a fixed direction on the series, Carrick allowed the paintings to unfold intuitively, following their emerging rhythms and imagery. The works inhabit the world of spring gardens—lily ponds, flower-filled meadows, and blossoms poised just before opening—rendered through a soft, unhurried palette of greens, deep blues, and pinks. Layered until color begins to feel more like light than pigment, the paintings carry a sense of anticipation, tenderness, and quiet transformation.
Throughout the series, painting becomes an act of listening and attention. The studio offered Carrick a space of stillness in which to connect with the presence of her daughter before they had met, and that intimacy is embedded in the atmosphere of the work. Open, attentive, and deeply personal, A Garden For Her reflects the threshold between one life and the beginning of another, offering a meditation on expectancy, love, and the gentle emergence of something not yet fully known.
Artwork Information
Year
2026
Materials
Oil and oil stick on Belgium linen
Authentication
Signed by Artist
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan.
Dimensions
ARTWORK DIMENSIONS
51.25 x 39.25 inches
FRAMED DIMENSIONS
51.25 x 39.25 inches
Reveal: 52.25 x 40.25 x 2 inches
Unframed: 51.25 x 39.25 inches
This artwork is custom-framed in hand-built solid wood framing with archival materials. Custom framed artworks will ship in 1 - 3 weeks.
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“the process of creating and using my hands generates a sense of healing and solitude. Painting and color is my therapy, my escape during darker times. I see my works as little windows of sunshine, nostalgia, and inspiration”
About the Artist
Hannah Carrick
Hannah Carrick (b. 1988, Australia) is a Byron Bay-based artist known for her exploration of biophilia—the innate connection between humans and nature—and the healing potential of the creative process. Her work invites introspection, often weaving together themes of femininity, emotion, and the body as landscape.
“Creating with my hands is a kind of therapy,” Carrick says. “Painting becomes a place of solitude, healing, and release. Each piece is like a window into warmth, nostalgia, and renewal.”
Carrick’s bold use of color and layered textures—built up then scraped back using oil and mixed media—reflect a process as raw as it is intuitive. For her, painting is a ritual of uncovering, a personal excavation. “To resolve a work, I often need to face what’s buried. Each layer reveals something new about myself—and lets something old go.”
She has exhibited in four solo shows, including at Yeah Nice Gallery (Byron Bay), Rainbow Studios (Sydney) and Saint Cloche (Sydney), and has been featured in group exhibitions across Los Angeles, Paris, and Hong Kong. Her work is represented internationally by Tappan (Los Angeles, CA). Select publications include Harper’s Bazaar and Gourmet Traveller.
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Frame options are for visualization purposes only.
FRAME STYLE
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BUILDING YOUR EXPERIENCE
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Take a few steps back and let your camera see more of the scene.
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Was this experience helpful?
In A Garden For Her, Hannah Carrick presents a body of work created during her pregnancy with her first child, a daughter expected in spring. Rather than imposing a fixed direction on the series, Carrick allowed the paintings to unfold intuitively, following their emerging rhythms and imagery. The works inhabit the world of spring gardens—lily ponds, flower-filled meadows, and blossoms poised just before opening—rendered through a soft, unhurried palette of greens, deep blues, and pinks. Layered until color begins to feel more like light than pigment, the paintings carry a sense of anticipation, tenderness, and quiet transformation.
Throughout the series, painting becomes an act of listening and attention. The studio offered Carrick a space of stillness in which to connect with the presence of her daughter before they had met, and that intimacy is embedded in the atmosphere of the work. Open, attentive, and deeply personal, A Garden For Her reflects the threshold between one life and the beginning of another, offering a meditation on expectancy, love, and the gentle emergence of something not yet fully known.
