Better to Feel Yellow than Blue
Acrylic on canvas | 2020
City blends to suburbs to fields, woods, then gentle valleys and finally the pulsing London orbital motorway in ‘Out of the Loop,’ the transitional body of work by Daniel Fletcher. The series of paintings explores the continued draw to the landscapes of the city peripheries and seeks to capture the essence and energy of a seasonal, fluid environment—from rural scenes, domestic tropes, and everyday rituals. The abstract works—the colors that sit both in harmony and intentional discourse with each other—are a delicately composed balance between soft and hard, and fast and slow. The rhythm of the creation process reflects that of the subject matter, creating loose yet tightly structured semblances.
39.5 x 51 inches
Signed by the artist
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Framing & Mounting
Our frames are produced from the best quality wood, primarily from Italy. Each is custom cut and assembled by hand to fit your art. Hanging hardware included!
THIN GALLERY FRAME
This modern profile was designed for artists and photographers. Narrow on the front and deep on the sides, our slim mouldings provide a clean, sharp frame for your art, and allows all focus to be on your gorgeous work.
3/4" wide; 1 1/8" deep
UV - PROTECTIVE ACRYLIC
Our acrylic is more expensive than glass, but we use it because it’s clearer, far more impact resistant, and protects your art against UV rays. Framing-grade acrylic has become a new standard in framing because of its “clear” benefits.
THE FULL BLEED
Works are framed flush with the edge of your print without a mat. Request border modifications and spacers, which keep the work from touching the glass.
Adds a white core mat with a bevel cut opening to the edge of your print. If your work has a signature or edition numbering, we will automatically mat around it unless otherwise specified.
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London-based painter Daniel Fletcher's large abstract paintings and hand-pulled prints make use of contemporary color stories and authentic, expressive gestures. Fletcher's work has been recently featured in The Strategist and It's Nice That.
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