Letterpress | 2013
Geologic formations are a cornerstone of Arnold’s work, and this print — based on a National Geographic photograph of calcite columns in a cave in New Mexico — is no exception. Whereas her Crystallized Book series uses such forms as a way to both juxtapose and compare more modern subject matter, like print media, here their contours and otherworldliness alone are the focus.
9 x 12 inches
Floated: 13.5 x 16.5 x 1.25 inches
The work comes with a certification of authenticity signed by the Co-Founder of Tappan
Framing & Mounting
Our frames are produced from the best quality wood, primarily from Italy. Each is custom cut and assembled by hand to fit your art. Hanging hardware included!
THIN GALLERY FRAME
This modern profile was designed for artists and photographers. Narrow on the front and deep on the sides, our slim mouldings provide a clean, sharp frame for your art, and allows all focus to be on your gorgeous work.
3/4" wide; 1 1/8" deep
UV - PROTECTIVE ACRYLIC
Our acrylic is more expensive than glass, but we use it because it’s clearer, far more impact resistant, and protects your art against UV rays. Framing-grade acrylic has become a new standard in framing because of its “clear” benefits.
THE FULL BLEED
Works are framed flush with the edge of your print without a mat. Request border modifications and spacers, which keep the work from touching the glass.
Adds a white core mat with a bevel cut opening to the edge of your print. If your work has a signature or edition numbering, we will automatically mat around it unless otherwise specified.
We use 4-ply, conservation-grade, acid-free mat board. We match whites and off-whites to your exact piece. Acid-free materials protect your art from yellowing or becoming brittle.
Floating a piece allows for a full view of the face and sides of the artwork. Floating is recommended for original drawings and paintings or any piece produced on specially trimmed paper.
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Alexis Arnold's sculptures, installations, and mixed-media 2D artworks explore the subjective perception and experience of light, space and color, geology, and the visualization of time. She has exhibited at Crystal Bridges Museum, Aspen Art Museum, Art on Paper, and the Bay Area Discovery Museum and is in the SFMOMA permanent collection. Arnold has also been featured in WSJ, designboom, Apartment Therapy, Colossal, and Hi-Fructose.
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