Black on Red II
Pigment, acrylic on wood panel | 2018
Wall’s work uses subtle texture to address scale, form and color in ambiguous yet approachable compositions. This most recent pigment on panel series explores new hues and textures, resulting in a more stucco-like texture than previous powder finish works.
39.5 x 31.5 inches
Signed by the artist.
Please allow 2-4 weeks for artwork to ship.
It’s “for the viewer,” explained Michael Wall when asked to describe his practice in three words...
New kid on the block, Great White, has collaborated with Tappan Artist, Michael Wall to create artworks for their all-day cafe.
Framing & Mounting
Our frames are produced from the best quality wood, primarily from Italy. Each is custom cut and assembled by hand to fit your art. Hanging hardware included!
THIN GALLERY FRAME
This modern profile was designed for artists and photographers. Narrow on the front and deep on the sides, our slim mouldings provide a clean, sharp frame for your art, and allows all focus to be on your gorgeous work.
3/4" wide; 1 1/8" deep
UV - PROTECTIVE ACRYLIC
Our acrylic is more expensive than glass, but we use it because it’s clearer, far more impact resistant, and protects your art against UV rays. Framing-grade acrylic has become a new standard in framing because of its “clear” benefits.
THE FULL BLEED
Works are framed flush with the edge of your print without a mat. Request border modifications and spacers, which keep the work from touching the glass.
Adds a white core mat with a bevel cut opening to the edge of your print. If your work has a signature or edition numbering, we will automatically mat around it unless otherwise specified.
We use 4-ply, conservation-grade, acid-free mat board. We match whites and off-whites to your exact piece. Acid-free materials protect your art from yellowing or becoming brittle.
Floating a piece allows for a full view of the face and sides of the artwork. Floating is recommended for original drawings and paintings or any piece produced on specially trimmed paper.
Featured in Architectural Digest's "Best Young Abstract Artists You Should Know About" profile, Michael Wall's large, abstract paintings and unexpected shapes command both attention and consideration. Wall has also been featured in Wallpaper*, AnOther, Abstract Mag, and Cereal and shown in London, Taipei, Paris, Los Angeles, and Berlin.
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