New Sands Other Side
Archival pigment print | 2019
The series “New Sands” is the result of a trip to New Mexico gone wrong. Bad weather, damaged equipment, and suspicious locals culminated in hours of aimless driving between Southwestern towns.
Determined to make the most of the less than 24 hours until the flight home, James took to a paper map on the hood of his rental car, choosing to head wherever his finger landed. That destination was the White Sands National Monument, a few hours away, but enough to spend an hour at the park’s opening, touring and photographing.
From that cursory visit came contemplative and composed images, representative of the harried, superficial nature of modern tourism. Shot from the periphery and rendering the prioritization of observation over experience, James implores the viewer to continue with his journey, to sit and stay a while, and to pause in a moment he could not.
30 x 30 inches
Matted: 38 x 38 x 2 inches
Full Bleed: 32 x 32 x 2 inches
The work comes with a Certification of Authenticity signed and numbered by the Co-Founder of Tappan
Q. Where do you draw inspiration from?
A. Anything visual. I find composition and the choices people...
Tappan invites you to explore our curated collection of artworks focusing on a sense of wanderlust. Wanderlust defines one's innate desire to roam, travel, and discover.
Framing & Mounting
Our frames are produced from the best quality wood, primarily from Italy. Each is custom cut and assembled by hand to fit your art. Hanging hardware included!
THIN GALLERY FRAME
This modern profile was designed for artists and photographers. Narrow on the front and deep on the sides, our slim mouldings provide a clean, sharp frame for your art, and allows all focus to be on your gorgeous work.
3/4" wide; 1 1/8" deep
UV - PROTECTIVE ACRYLIC
Our acrylic is more expensive than glass, but we use it because it’s clearer, far more impact resistant, and protects your art against UV rays. Framing-grade acrylic has become a new standard in framing because of its “clear” benefits.
THE FULL BLEED
Works are framed flush with the edge of your print without a mat. Request border modifications and spacers, which keep the work from touching the glass.
Adds a white core mat with a bevel cut opening to the edge of your print. If your work has a signature or edition numbering, we will automatically mat around it unless otherwise specified.
We use 4-ply, conservation-grade, acid-free mat board. We match whites and off-whites to your exact piece. Acid-free materials protect your art from yellowing or becoming brittle.
Floating a piece allows for a full view of the face and sides of the artwork. Floating is recommended for original drawings and paintings or any piece produced on specially trimmed paper.
Australian photographer James Needham captures urban landscapes like New York, Los Angeles, Route 66 and Roswell New Mexico in compositions reminiscent of Edward Hopper’s colorful city scenes. His work has been featured in Architectural Digest, Paper Journal, Nylon Korea and Art Maze Magazine.
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