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Poppies (Navy)
Marina Ross' paintings draw from the enduring imagery of The Wizard of Oz, using its familiar visual language as a framework to explore memory, longing, and the emotional resonance of cultural myth. Rather than referencing the film as narrative, Ross approaches it as a shared archive of collective experience—one that has evolved over generations and continues to shape ideas of home, fantasy, and belonging. Through this lens, familiar symbols become vessels for examining absence, nostalgia, and the ways images carry meaning beyond their original context.
Working from film stills, archival imagery, and constructed landscapes, Ross blurs the boundaries between reality and artifice. Figures dissolve into richly patterned surfaces, while imagined landscapes reveal themselves as carefully fabricated environments, collapsing distinctions between the authentic and the theatrical. Her paintings invite viewers to consider how constructed images can evoke deeply genuine emotional experiences.
Rooted in both personal history and broader cultural memory, Ross' practice examines the capacity of familiar iconography to hold complex emotional narratives. By reimagining one of the most enduring symbols in American popular culture, her work transforms nostalgia into a space for reflection, exploring the intersections of grief, beauty, memory, and the enduring search for belonging.
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Marina Ross' paintings draw from the enduring imagery of The Wizard of Oz, using its familiar visual language as a framework to explore memory, longing, and the emotional resonance of cultural myth. Rather than referencing the film as narrative, Ross approaches it as a shared archive of collective experience—one that has evolved over generations and continues to shape ideas of home, fantasy, and belonging. Through this lens, familiar symbols become vessels for examining absence, nostalgia, and the ways images carry meaning beyond their original context.
Working from film stills, archival imagery, and constructed landscapes, Ross blurs the boundaries between reality and artifice. Figures dissolve into richly patterned surfaces, while imagined landscapes reveal themselves as carefully fabricated environments, collapsing distinctions between the authentic and the theatrical. Her paintings invite viewers to consider how constructed images can evoke deeply genuine emotional experiences.
Rooted in both personal history and broader cultural memory, Ross' practice examines the capacity of familiar iconography to hold complex emotional narratives. By reimagining one of the most enduring symbols in American popular culture, her work transforms nostalgia into a space for reflection, exploring the intersections of grief, beauty, memory, and the enduring search for belonging.
About the Artist
Marina Ross
Marina Ross is a Chicago-based painter whose emotionally resonant work explores themes of memory, myth, and identity through layered reinterpretations of iconic imagery. Her paintings have been exhibited in New York at Sugarlift, Friday Studio Gallery, Art Helix, and Highline Stages, as well as throughout Chicago at venues including Goldfinch Gallery, Heaven Gallery, The Franklin, Sulk, ARTRUSS, and Baby Blue Gallery. She has received numerous awards and grants, including support from the Illinois Arts Council, Loyola University, and the Stanley Award for International Graduate Research, which enabled her residency in Saint Petersburg, Russia. Ross’s work has been featured in Newcity and the Chicago Reader, and is held in public and private collections. In addition to her studio practice, she leads a critique group for professional artists and teaches at Loyola University Chicago.

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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
Marina Ross' paintings draw from the enduring imagery of The Wizard of Oz, using its familiar visual language as a framework to explore memory, longing, and the emotional resonance of cultural myth. Rather than referencing the film as narrative, Ross approaches it as a shared archive of collective experience—one that has evolved over generations and continues to shape ideas of home, fantasy, and belonging. Through this lens, familiar symbols become vessels for examining absence, nostalgia, and the ways images carry meaning beyond their original context.
Working from film stills, archival imagery, and constructed landscapes, Ross blurs the boundaries between reality and artifice. Figures dissolve into richly patterned surfaces, while imagined landscapes reveal themselves as carefully fabricated environments, collapsing distinctions between the authentic and the theatrical. Her paintings invite viewers to consider how constructed images can evoke deeply genuine emotional experiences.
Rooted in both personal history and broader cultural memory, Ross' practice examines the capacity of familiar iconography to hold complex emotional narratives. By reimagining one of the most enduring symbols in American popular culture, her work transforms nostalgia into a space for reflection, exploring the intersections of grief, beauty, memory, and the enduring search for belonging.






















