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Incognito 11
Acrylic on Canvas
Qhamanande Maswana’s Incognito series is a compelling body of narrative figurative paintings that explores the tension between visibility and anonymity. Painted in vivid complementary colors, each acrylic-on-canvas work commands attention while resisting full disclosure. Maswana’s bold brushstrokes and expressive palette create a push-pull effect: the viewer is drawn in by vibrant color and emotive form, yet held at a distance by the obscured faces of the figures. This deliberate concealment opens a space of psychological ambiguity—who are these subjects, and what does it mean to be seen without being known?
The series emerged during the COVID-19 pandemic, a time when the act of covering one’s face became both a practical necessity and a shared visual experience. The scarves that veil the mouths and noses of Maswana’s subjects echo this moment, while also transforming it—elevating the ordinary into metaphor. In Incognito, masking becomes a symbol of both protection and performance, allowing Maswana to ask timely questions about identity, representation, and the many ways we navigate being visible in an ever-shifting world.
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Qhamanande Maswana’s Incognito series is a compelling body of narrative figurative paintings that explores the tension between visibility and anonymity. Painted in vivid complementary colors, each acrylic-on-canvas work commands attention while resisting full disclosure. Maswana’s bold brushstrokes and expressive palette create a push-pull effect: the viewer is drawn in by vibrant color and emotive form, yet held at a distance by the obscured faces of the figures. This deliberate concealment opens a space of psychological ambiguity—who are these subjects, and what does it mean to be seen without being known?
The series emerged during the COVID-19 pandemic, a time when the act of covering one’s face became both a practical necessity and a shared visual experience. The scarves that veil the mouths and noses of Maswana’s subjects echo this moment, while also transforming it—elevating the ordinary into metaphor. In Incognito, masking becomes a symbol of both protection and performance, allowing Maswana to ask timely questions about identity, representation, and the many ways we navigate being visible in an ever-shifting world.
Artwork Information
Year
2025
Materials
Acrylic on Canvas
Authentication
Signed by Artist
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Dimensions
26 1/4 x 18 1/4 inches
FRAMED DIMENSIONS
26 1/4 x 18 1/4 inches
Unframed: 26 1/4 x 18 1/4 inches
This artwork is custom-framed in hand-built solid wood framing with archival materials. Custom framed artworks will ship in 1 - 3 weeks.
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“Each portrait is an adventure, exploring the unique character and personal strengths of my subjects. It’s not about how they look, it’s about who they are.”

About the Artist
Qhamanande Maswana
South African artist Qhamanande Maswana uses vibrant colors to depict the Extraordinary People he meets on a daily basis effortlessly melding reality and imagination in each portrait.
Current New York City Exhibition
PROXIMITIES
Tappan New York City
100 Grand Street, New York NY
May 1 - May 22nd
Current Los Angeles Exhibition
FORWARD
Tappan Los Angeles
8200 Melrose Avenue, Los Angeles CA
April 12 - June 14th

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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?

Qhamanande Maswana’s Incognito series is a compelling body of narrative figurative paintings that explores the tension between visibility and anonymity. Painted in vivid complementary colors, each acrylic-on-canvas work commands attention while resisting full disclosure. Maswana’s bold brushstrokes and expressive palette create a push-pull effect: the viewer is drawn in by vibrant color and emotive form, yet held at a distance by the obscured faces of the figures. This deliberate concealment opens a space of psychological ambiguity—who are these subjects, and what does it mean to be seen without being known?
The series emerged during the COVID-19 pandemic, a time when the act of covering one’s face became both a practical necessity and a shared visual experience. The scarves that veil the mouths and noses of Maswana’s subjects echo this moment, while also transforming it—elevating the ordinary into metaphor. In Incognito, masking becomes a symbol of both protection and performance, allowing Maswana to ask timely questions about identity, representation, and the many ways we navigate being visible in an ever-shifting world.