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Country Hillside, Scotland
Acrylic on canvas
Emily Tingey’s latest body of work returns to nature as both a source of inspiration and a reflection of the evolving self. Moving between varying degrees of clarity and abstraction, the paintings explore the tension between hoping for more and accepting what is, finding beauty within imperfection and embracing the many versions of oneself that emerge over time. Several works revisit landscapes Tingey has encountered before, allowing familiar scenery to be reconsidered through the perspective of the present, while others resolve compositions she has returned to repeatedly over the course of her practice.
Inspired by Mary Cassatt’s balance of precise and expansive brushwork and Joan Mitchell’s expressive freedom, Tingey brings together techniques that have been tested, abandoned, and rediscovered over time. This process of returning becomes integral to the work itself, mirroring the cycles and irregularities found throughout the natural world. Through layered gestures and shifting levels of detail, Tingey approaches nature as a space for reflection, renewal, and self-acceptance — one that embraces uncertainty and imperfection as essential parts of becoming.
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Emily Tingey’s latest body of work returns to nature as both a source of inspiration and a reflection of the evolving self. Moving between varying degrees of clarity and abstraction, the paintings explore the tension between hoping for more and accepting what is, finding beauty within imperfection and embracing the many versions of oneself that emerge over time. Several works revisit landscapes Tingey has encountered before, allowing familiar scenery to be reconsidered through the perspective of the present, while others resolve compositions she has returned to repeatedly over the course of her practice.
Inspired by Mary Cassatt’s balance of precise and expansive brushwork and Joan Mitchell’s expressive freedom, Tingey brings together techniques that have been tested, abandoned, and rediscovered over time. This process of returning becomes integral to the work itself, mirroring the cycles and irregularities found throughout the natural world. Through layered gestures and shifting levels of detail, Tingey approaches nature as a space for reflection, renewal, and self-acceptance — one that embraces uncertainty and imperfection as essential parts of becoming.
Artwork Information
Year
2026
Materials
Acrylic on canvas
Authentication
Signed by Artist
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan.
Dimensions
ARTWORK DIMENSIONS
33 x 27 inches
FRAMED DIMENSIONS
33 x 27 inches
Reveal: 34 x 28 x 2 inches
Unframed: 33 x 27 inches
This artwork is custom-framed in hand-built solid wood framing with archival materials. Custom framed artworks will ship in 1 - 3 weeks.
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text: 310-388-3425
email: info@thetappancollective.com
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"My work is an exploration of atmosphere, memory, and the emotional resonance."
About the Artist
Emily Tingey
Emily Tingey is a painter of modern impressionism and abstract landscapes based in Henderson, Nevada, with enduring inspiration drawn from her years in Ann Arbor, Michigan. She transforms memories of global travels and inner reflection into atmospheric, emotive compositions. Tingey’s work seeks to distill feelings of warmth, calm, peace, acceptance, and joy, offering viewers a sense of stillness and connection through each painting.
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Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
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Was this experience helpful?
Emily Tingey’s latest body of work returns to nature as both a source of inspiration and a reflection of the evolving self. Moving between varying degrees of clarity and abstraction, the paintings explore the tension between hoping for more and accepting what is, finding beauty within imperfection and embracing the many versions of oneself that emerge over time. Several works revisit landscapes Tingey has encountered before, allowing familiar scenery to be reconsidered through the perspective of the present, while others resolve compositions she has returned to repeatedly over the course of her practice.
Inspired by Mary Cassatt’s balance of precise and expansive brushwork and Joan Mitchell’s expressive freedom, Tingey brings together techniques that have been tested, abandoned, and rediscovered over time. This process of returning becomes integral to the work itself, mirroring the cycles and irregularities found throughout the natural world. Through layered gestures and shifting levels of detail, Tingey approaches nature as a space for reflection, renewal, and self-acceptance — one that embraces uncertainty and imperfection as essential parts of becoming.
