






Artifacts in Obsidian #7
Obsidian clay and cotton linter fiber
Modern Relics and Artifacts in Obsidian are both collections that hold the concept of time. They are hand built, bespoke, one-off raw clay sculptures made from various clay bodies mixed with cotton linter fiber. As they go through the firing process, the fiber burns out, leaving space that holds memories — leaving creases and folds like wrinkles that reminisce about adventures through life. Each piece feels like an old soul as if unearthed from another time. Their beauty comes from the opposite of newness — the opposite of youth —it lies within their cracks and folds and uniqueness. They have stories to tell.
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Modern Relics and Artifacts in Obsidian are both collections that hold the concept of time. They are hand built, bespoke, one-off raw clay sculptures made from various clay bodies mixed with cotton linter fiber. As they go through the firing process, the fiber burns out, leaving space that holds memories — leaving creases and folds like wrinkles that reminisce about adventures through life. Each piece feels like an old soul as if unearthed from another time. Their beauty comes from the opposite of newness — the opposite of youth —it lies within their cracks and folds and uniqueness. They have stories to tell.
Artwork Information
Year
2024
Materials
Obsidian clay and cotton linter fiber
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text: 310-388-3425
email: info@thetappancollective.com
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About the Artist
Stacy Solodkin
Stacy Solodkin (b. 1970, Louisville, KY) is a Los Angeles-based artist whose practice spans painting and sculpture. For nearly four decades, she worked in acrylic and encaustic, developing an abstract visual language defined by accumulated gesture and material transformation.
Currently working primarily with porcelain reinforced by cotton linter, Solodkin creates forms that would be structurally impossible without the fiber's temporary architecture. Rooted in this kind of resourcefulness and improvisation, her practice positions the studio as a site of continual experimentation where setbacks become catalysts for invention -- where resilience is discovered in moments of decision.
Solodkin has studied ceramic traditions throughout the United States and Asia and recently expanded her material research at Pilchuck Glass School, founded by Dale Chihuly. Her work has been exhibited throughout the US and is held in private collections internationally.
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This service is currently unavailable,
sorry for the inconvenience.
Pair it with a frame
Frame options are for visualization purposes only.
FRAME STYLE
MATTING SIZE
BUILDING YOUR EXPERIENCE
powered by Blankwall
Take a few steps back and let your camera see more of the scene.
powered by Blankwall
Was this experience helpful?
Modern Relics and Artifacts in Obsidian are both collections that hold the concept of time. They are hand built, bespoke, one-off raw clay sculptures made from various clay bodies mixed with cotton linter fiber. As they go through the firing process, the fiber burns out, leaving space that holds memories — leaving creases and folds like wrinkles that reminisce about adventures through life. Each piece feels like an old soul as if unearthed from another time. Their beauty comes from the opposite of newness — the opposite of youth —it lies within their cracks and folds and uniqueness. They have stories to tell.


















