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Human Nature 6
DESCRIPTION
Archival ink on museum-quality cotton rag paper | 2015
A logical continuation of Verhoef’s “Inscapes” series, “Human//Nature” investigates the artist’s connection to the natural world and how it influences her sense of identity. The complicated relationship between humans and nature is a common thread throughout her work, and when Verhoef places herself in desolate landscapes, a character arises that wants to connect with her surroundings, but can feel out of place. In this new series, the character seems to move more and more into anonymity, sometimes leaving not much more than a human shape. With an even more minimal visual language and an increasingly geometrical approach to composition, Verhoef aims to emphasize the contrast between the human presence and the natural world.
DIMENSIONS
16 x 16 inches
24 x 24 inches
40 x 40 inches
50 x 50 inches
FRAMED DIMENSIONS
16 x 16 inches
Matted: 23.5 x 23.5 x 2 inches
Full Bleed: 17.5 x 17.5 x 1.5 inches
24 x 24 inches
Matted: 31.5 x 31.5 x 2 inches
Full Bleed: 25.5 x 25.5 x 2 inches
40 x 40 inches
Matted: 48 x 48 x 2 inches
Full Bleed: 42 x 42 x 2 inches
50 x 50 inches
Full Bleed: 52 x 52 x 2 inches
AUTHENTICITY
The work comes with a Certification of Authenticity signed and numbered by the Co-Founder of Tappan.
Framing & Mounting
Framing
Our frames are produced from the best quality wood, primarily from Italy. Each is custom cut and assembled by hand to fit your art. Hanging hardware included!
THIN GALLERY FRAME
This modern profile was designed for artists and photographers. Narrow on the front and deep on the sides, our slim mouldings provide a clean, sharp frame for your art, and allows all focus to be on your gorgeous work.
3/4" wide; 1 1/8" deep
UV - PROTECTIVE ACRYLIC
Our acrylic is more expensive than glass, but we use it because it’s clearer, far more impact resistant, and protects your art against UV rays. Framing-grade acrylic has become a new standard in framing because of its “clear” benefits.
THE FULL BLEED
Works are framed flush with the edge of your print without a mat. Request border modifications and spacers, which keep the work from touching the glass.
THE MAT
Adds a white core mat with a bevel cut opening to the edge of your print. If your work has a signature or edition numbering, we will automatically mat around it unless otherwise specified.
We use 4-ply, conservation-grade, acid-free mat board. We match whites and off-whites to your exact piece. Acid-free materials protect your art from yellowing or becoming brittle.
THE FLOAT
Floating a piece allows for a full view of the face and sides of the artwork. Floating is recommended for original drawings and paintings or any piece produced on specially trimmed paper.
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