TAPPAN

Do materials and methods dictate your ideas, or vice versa?

BRIANNA LANCE

For the paintings, it’s the other way around; I choose the materials based on how I can get the movement I want. For the embroideries, it’s the material first. They’re made out of old drop cloths, which I recycle into new work after they’re done serving their first purpose.

TAPPAN

What motivates you?

BRIANNA LANCE

I have a very hard time expressing myself in words, so creating work is a way for me to truly and freely express myself. It’s the one time I feel capable of saying exactly what I mean.

TAPPAN

Describe “Flowers,” the body of work you’re launching with Tappan.

BRIANNA LANCE

This body of work is all about the subconscious and nature. Each work deals with finding order in chaos and being able to zoom into details to make sense of a whole. Paintings act as diaries of my meditations, giving me a way to express my subconscious that isn’t possible verbally. The flowers deal with everything being interconnected. The way nature exists is the way our mind exists—it’s all the same and it repeats itself to create new forms. The vision paintings are actual visions from my meditations, which represent a connection to the spirit realm, the rich world that exists beneath the surface.

TAPPAN

Which work has taken you the longest to complete?

BRIANNA LANCE

I made sculptures for Miami Art Week out of paper mache, LED lights, paint, and resin. Those took some time because of all the steps involved, I think it was three weeks that I worked on them. The embroidery also takes a while—two weeks for the big ones.

TAPPAN

If you could travel anywhere to make work, where would you go?

BRIANNA LANCE

I would love to create by the ocean, somewhere warm. I remember spending some time painting in Jamaica as well as on a trip in Long Island—swimming in the water everyday immediately puts me in a great headspace for working.

TAPPAN

Are there any tools or mediums that you’d like to explore?

BRIANNA LANCE

I would love to start working with beadwork and rug weaving. There’s a Martin Kippenberger piece called “The Raft of the Medusa” that’s the most gorgeous rug. Ever since the moment I saw it, I’ve dreamed about making a rug. Also ceramics. I’ve worked a bit in ceramics, but dealing with a six floor walk-up studio and transporting back and forth to a kiln isn’t that simple. Once I find a good ceramics studio, I think that will be next.

TAPPAN

What was the last gallery show you saw?

BRIANNA LANCE

Frieze was the last show I went to. I saw a Joyce J. Scott glass and bead sculpture, and was completely blown away. I’ve never seen so much expressed in such a small sculpture.

TAPPAN

Who is one artist, living or dead, that you feel a connection with?

BRIANNA LANCE

So many artists inspire me, but I feel very connected to women who create feminine and spiritual work. So Hilma af Klint and Agnes Pelton are big influences.

TAPPAN

Tell us about an artist whose career you admire.

BRIANNA LANCE

David Hammons is my number one. The way he is able to express his true vision with so many different ideas and mediums is unreal. He also keeps the same integrity from piece to piece.

TAPPAN

What are some of your interests outside of art?

BRIANNA LANCE

I collect plants compulsively. Every time I get upset, I buy a plant. I also try to dance everyday to lift my vibe. My other artistic pursuits include being a musician, a DJ, and I consult for companies on creative direction.

TAPPAN

What’s next?

BRIANNA LANCE

I would love to work with a public space to make an accessible piece—a mural or sculpture, something that can be enjoyed by everyone.