i'm not where i'm going to be (window II)
This work is on hold for a collector
Click "contact to purchase" to register interest in this work and we will notify you if it becomes available.
Quilted linen, canvas, brass brad and walnut stain frame | 2020
Using found, offset, and new fabric, this series of textile works, i'm not where i'm going to be, creates a frame within a frame, focusing the viewer’s eye on the material appreciation for the center piece of fabric as well as the materiality of the canvas or linen that functions like a framing mat. Caflisch utilizes an additive process of combining textiles together to preserve the material’s original state, like a trophy, while simultaneously creating a window onto a plane landscape.
20.5 x 20.5 inches
Signed by artist.
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan.
Framing & Mounting
Our frames are produced from the best quality wood, primarily from Italy. Each is custom cut and assembled by hand to fit your art. Hanging hardware included!
THIN GALLERY FRAME
This modern profile was designed for artists and photographers. Narrow on the front and deep on the sides, our slim mouldings provide a clean, sharp frame for your art, and allows all focus to be on your gorgeous work.
3/4" wide; 1 1/8" deep
UV - PROTECTIVE ACRYLIC
Our acrylic is more expensive than glass, but we use it because it’s clearer, far more impact resistant, and protects your art against UV rays. Framing-grade acrylic has become a new standard in framing because of its “clear” benefits.
THE FULL BLEED
Works are framed flush with the edge of your print without a mat. Request border modifications and spacers, which keep the work from touching the glass.
Adds a white core mat with a bevel cut opening to the edge of your print. If your work has a signature or edition numbering, we will automatically mat around it unless otherwise specified.
We use 4-ply, conservation-grade, acid-free mat board. We match whites and off-whites to your exact piece. Acid-free materials protect your art from yellowing or becoming brittle.
Floating a piece allows for a full view of the face and sides of the artwork. Floating is recommended for original drawings and paintings or any piece produced on specially trimmed paper.
Shipping & Returns
Shipping rates are calculated by the size of the package, and shipped via FedEx. Please reach out to firstname.lastname@example.org for any specific shipping and handling questions.
We are dedicated to providing our collectors with accurate descriptions and visuals of the artwork featured on our site. However, if you are displeased with your acquisition please email us at email@example.com. We’ll gladly offer you a store credit within 10 days of receipt of the artwork. Custom framed pieces and originals will have a 20% processing fee.
If your works arrive damaged, please ensure Tappan is notified within 10 days of delivery.
Ethan’s exhibition venues and publications include the Institute of Contemporary Art (San Jose), Cheryl Hazan Gallery (New York), A.M. Gallery (Antwerp), Art Maze Magazine, and AnOther Magazine. Explore his large, geometric and minimalist paintings, figurative paintings and hand made textile works.
+Follow Ethan Caflisch