Paper beads on barkcloth | 2021
In his new series, titled Take Care of the Young, artist Sanaa Gateja explores the disastrous impact the Covid pandemic has had on child care facilities, including schools. Rendered in mixed-media pieces of paper beads on bark cloth or woven raffia, Gateja’s vibrant pieces are a plea to adults around the world to prioritize the welfare of our children by supporting the opening of schools.
49.6 x 33.5 inches
Signed by artist.
The work comes with a Certification of Authenticity signed by the Co-Founder of Tappan
Framing & Mounting
Our frames are produced from the best quality wood, primarily from Italy. Each is custom cut and assembled by hand to fit your art. Hanging hardware included!
THIN GALLERY FRAME
This modern profile was designed for artists and photographers. Narrow on the front and deep on the sides, our slim mouldings provide a clean, sharp frame for your art, and allows all focus to be on your gorgeous work.
3/4" wide; 1 1/8" deep
UV - PROTECTIVE ACRYLIC
Our acrylic is more expensive than glass, but we use it because it’s clearer, far more impact resistant, and protects your art against UV rays. Framing-grade acrylic has become a new standard in framing because of its “clear” benefits.
THE FULL BLEED
Works are framed flush with the edge of your print without a mat. Request border modifications and spacers, which keep the work from touching the glass.
Adds a white core mat with a bevel cut opening to the edge of your print. If your work has a signature or edition numbering, we will automatically mat around it unless otherwise specified.
We use 4-ply, conservation-grade, acid-free mat board. We match whites and off-whites to your exact piece. Acid-free materials protect your art from yellowing or becoming brittle.
Floating a piece allows for a full view of the face and sides of the artwork. Floating is recommended for original drawings and paintings or any piece produced on specially trimmed paper.
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Sanaa Gateja employs a unique process to create his mixed-media works—engaging members of his community, whom he trains and pays for their work. Gateja has worked as an art consultant for a number of organizations across Uganda, Rwanda, and Kenya and has received funding from the United Nations. His studio name, Kwetu Africa, translates to Home in Africa in Kiswahili, and is a reference to Gateja’s motivation for his work: the eradication of poverty through broad community engagement and environmental conservation.
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