Divisions of the Blade
Acrylic ink on cotton muslin | 2020
New additions to Teschner’s vibrant series on the confrontation between natural phenomenon and architecture. Influenced by the way temperature and weather impact built objects, their boundaries, and surrounding space, the sculptures are constructed of individually painted planes stitched together in anomalous arrangements. Their scale fluctuates from board to building, drawing on both the language of wood joinery and the extensive palette of a lush tropical landscape.
She says of this work— “The green-golds of island flora. They confirm and announce the passing of day. The sun cuts through them and catches my eye as in a snare-trap. And by the next hour, their highlights have dimmed to shadows. My own position, advancing and retreating as they do.”
20.5 x 16.25 inches
Floated: 24.5 x 20.5 x 2 inches
Signed by artist
The work comes with a Certification of Authenticity signed and numbered by the Co-Founder of Tappan
Framing & Mounting
Our frames are produced from the best quality wood, primarily from Italy. Each is custom cut and assembled by hand to fit your art. Hanging hardware included!
THIN GALLERY FRAME
This modern profile was designed for artists and photographers. Narrow on the front and deep on the sides, our slim mouldings provide a clean, sharp frame for your art, and allows all focus to be on your gorgeous work.
3/4" wide; 1 1/8" deep
UV - PROTECTIVE ACRYLIC
Our acrylic is more expensive than glass, but we use it because it’s clearer, far more impact resistant, and protects your art against UV rays. Framing-grade acrylic has become a new standard in framing because of its “clear” benefits.
THE FULL BLEED
Works are framed flush with the edge of your print without a mat. Request border modifications and spacers, which keep the work from touching the glass.
Adds a white core mat with a bevel cut opening to the edge of your print. If your work has a signature or edition numbering, we will automatically mat around it unless otherwise specified.
We use 4-ply, conservation-grade, acid-free mat board. We match whites and off-whites to your exact piece. Acid-free materials protect your art from yellowing or becoming brittle.
Floating a piece allows for a full view of the face and sides of the artwork. Floating is recommended for original drawings and paintings or any piece produced on specially trimmed paper.
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