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Born in the former Soviet Union and raised in Chicago, Ross draws on her experiences of acculturation and the complexities of the American Dream. Within her work, \u003cem\u003eThe Wizard of Oz\u003c\/em\u003e becomes a metaphor for immortality — a cinematic illusion that endures even as it confronts the impermanence of nature and the inevitability of loss.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eRoss’ palette, dominated by ethereal teals and greens, evokes nostalgia and otherworldliness. These recurring hues, reminiscent of oxidized patina on aged architecture, mirror cinema’s ability to transcend time. Through a process of layering, blending, and softening backgrounds against more insistent brushstrokes, Ross destabilizes familiar imagery, allowing ghostly echoes of the film to surface. Figures such as Dorothy may appear blurred, partially erased, or obscured, underscoring themes of fragility, repetition, and emotional dissociation. 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Drawing from references that range from \u003cem\u003eFaerie Tale Theatre\u003c\/em\u003e and Princess Diana to tarot symbolism and dream imagery, Getrost explores the tension between surface allure and underlying psychological complexity. Satin curtains, idealized dresses, and cinematic references function as seductive visual language while simultaneously questioning ideas of aspiration, illusion, and wish fulfillment. The recurring influence of the Seven of Cups tarot card — associated with fantasy, possibility, and the challenge of discerning reality from desire — serves as an underlying conceptual thread throughout the series.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eWorking intuitively, Getrost followed moments of inspiration as they emerged, allowing personal memory, dreams, and cultural references to intersect organically within the paintings. The resulting works move fluidly between past and present, combining autobiographical reflection with broader explorations of longing and identity. In works such as \u003cem\u003eThe Fairest\u003c\/em\u003e and \u003cem\u003ePrince Charming\u003c\/em\u003e, childhood narratives and dream logic collide, while paintings like \u003cem\u003eLast Waltz\u003c\/em\u003e turn inward more directly, using enlarged ballet shoes to evoke an early experience of loss and the lasting imprint of abandoned aspirations. 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