Guest Curated by
Dana Covit
West Coast Editor of Sight Unseen
The LA-based writer, researcher and creative strategist is originally from the East Coast and has contributed for the likes of Refinery29, The Huffington Post, MyDomaine, Freunde von Freunden and Broccoli Magazine. Currently the West Coast Editor for Sight Unseen, her eye for art and design is known for its exquisite eccentricities.
Guest Curated by
Dana Covit
West Coast Editor of Sight Unseen
The LA-based writer, researcher and creative strategist is originally from the East Coast and has contributed for the likes of Refinery29, The Huffington Post, MyDomaine, Freunde von Freunden and Broccoli Magazine. Currently the West Coast Editor for Sight Unseen, her eye for art and design is known for its exquisite eccentricities.
Dana Covit says
Our planet is at once familiar and totally confounding. I like being reminded of that coexisting duality, and this print of a wind-whipped landscape in Point Reyes, California by Marc Gabor, really suspends and directs that awareness. The light is pretty special, too.
Dana Covit says
Our planet is at once familiar and totally confounding. I like being reminded of that coexisting duality, and this print of a wind-whipped landscape in Point Reyes, California by Marc Gabor, really suspends and directs that awareness. The light is pretty special, too.
Dana Covit says
The layered, tactile nature of this piece by Gabrielle Teschner feels a bit abstract but still rooted in place -- a balance I find myself drawn to. The sunset hues in the background do something good to my blood pressure, and I like that the vessels up front seem to contain within them the blue sky on a sunny day.
Dana Covit says
The layered, tactile nature of this piece by Gabrielle Teschner feels a bit abstract but still rooted in place -- a balance I find myself drawn to. The sunset hues in the background do something good to my blood pressure, and I like that the vessels up front seem to contain within them the blue sky on a sunny day.
Dana Covit says
Very much into art that taps into an ability to make us reconsider ordinary things and moments. Without trickery or guise, I suspect this print of a few palm leaves humbly assembled in a jar might transform my kitchen counter/sink zone with a knowing wink. Also, it’s reminding me of the still life work of one of my forever favorites, Wolfgang Tillmans.
Dana Covit says
Very much into art that taps into an ability to make us reconsider ordinary things and moments. Without trickery or guise, I suspect this print of a few palm leaves humbly assembled in a jar might transform my kitchen counter/sink zone with a knowing wink. Also, it’s reminding me of the still life work of one of my forever favorites, Wolfgang Tillmans.
